Gidon Kremer's emotionally-engaged performing style is transferred to an orchestral scale as he leads and directs his award-winning Kremerata Baltica chamber orchestra - playing with unrivalled energy and refinement - in a pair of central works of 20th century symphonic repertoire: Mahler's swansong, the Adagio from the unfinished Symphony No.10 in a new arrangement for strings, and Shostakovich's dramatic, moving Symphony No.14
Featuring the first recording of two works by George Enescu – the String Octet, Op. 7, and the Piano Quintet, Op. 29 – this album introduces the listener to the fascinating, multifaceted, and intriguing world of the Romanian master's chamber music. Enescu's music is expertly performed by members of the extraordinary KREMERata BALTICA under the direction of Gidon Kremer, who plays first violin in both pieces. Kremer wisely chose the music, for the two …..Zoran Minderovic @ AllMusic.com
After Mozart, the 2001 Grammy winner for Best Small Ensemble Performance, by Gidon Kremer and Kremerata Baltica, brings together the music of Wolfgang Amadeus Mozart (and his father, Leopold), with three contemporary works inspired by him. The works included, by contemporary Eastern European composers such as Alexander Raskatov, Valentin Silvestrov and Alfred Schnittke, invoke Mozart’s memory in ways direct and more subtle, and the more familiar Mozart pieces sandwiched in serve to bring the listener to a new way of hearing the more familiar pieces. The disc is an attempt, in Kremer’s words, to “set Mozart in the frame of our own time.”
Nonesuch Records releases The Art of Instrumentation: Homage to Glenn Gould, by violinist Gidon Kremer and his Kremerata Baltica chamber orchestra, on September 25, 2012, which would have been Gould’s 80th birthday. The album comprises 11 pieces and arrangements by contemporary composers that quote from or are inspired by works, mostly by Bach, that Gould famously recorded during his career; two Arnold Schoenberg pieces also are drawn upon in one piece.
Written in 1900, Enescu’s Octet for Strings combines the chromatic richness prevalent in Vienna at the time with a refined sense of formal structure. After World War I, he was increasingly influenced by the folk music of his native Romania, the effect of which is subtly echoed in the Quintet for Piano and Strings of 1940, heard here in its first recording. In the hands of Kremer and his ensemble, both works are revealed to be masterful and distinctive pieces that deserve to be more widely known.
A beautifully-recorded album from master violinist Gidon Kremer and his Kremerata, Baltica, spanning a wide range of music, all of it broached with conviction. Hungarian composer and pianist Stevan Kovacs Tickmayer from the Serbian province of Vojvodina has written eight hymns in commemoration of the film director Andrei Tarkovsky, an artist he has called a homo moralis whose remarkable visions cast a small but significant light on the tragic world of the previous century. Georgian composer Giya Kancheli contributes a silent prayer for two of his most important musical associates: the cellist and conductor Mstislav Rostropovich and the violinist Gidon Kremer.
Five-CD limited-edition box set, issued in time for the 30th anniversary of the Austrian chamber-music festival. “Edition Lockenhaus” returns long out-of-print titles to the catalogue, with some of the finest musicians of the New Series, including Gidon Kremer, Kim Kashkashian, Heinz Holliger, Thomas Zehetmair, Thomas Demenga, Robert Levin, Eduard Brunner and many more. Gidon Kremer: “The artistic atmosphere in Lockenhaus soon has everybody speaking on the same wavelength.” The set opens with previously unreleased recordings – from 2001 and 2008 – with Sir Simon Rattle and Roman Kofman conducting Kremerata Baltica in revelatory performances of Richard Strauss’s “Metamorphosen” and Olivier Messiaen’s “Trois petites Liturgies de la Présence Divine”: the committed interpretations convey the spirit of Lockenhaus. Discs two through five focus on music of César Franck, André Caplet, Francis Poulenc, Leos Janácek, Igor Stravinsky, Dmitri Shostakovich and Erwin Schulhoff. Original liner notes, an interview with Kremer, and new texts complete a very special edition.
Recorded in 2001 (Mahler) and 2004 (Shostakovich), this 2007 ECM release provides a wonderful insight into Gidon Kremer's perspective on two composers who are clearly close to his heart. The performances are both fascinating, and the Kremerata Baltica give their not-inconsiderable all in both works.