This is a rather relaxed recording featuring baritonist Gerry Mulligan and some of his top alumni (trumpeter Art Farmer, trombonist Bob Brookmeyer, guitarist Jim Hall, bassist Bill Crow, and drummer Dave Bailey) exploring three of his own songs (including "Festive Minor"), Chopin's Prelude in E minor, "In the Wee Small Hours of the Morning," and "Morning of the Carnival" (from Black Orpheus). The emphasis is on ballads and nothing too innovative occurs, but the results are pleasing and laid-back.
In the summer of 1991 Gerry Mulligan decided to revisit Miles Davis's Birth of the Cool recordings. He discussed it with Miles Davis himself who said he might be interested in participating but sadly Davis died a few months later. With Wallace Roney (the perfect sound-alike) in the trumpeter's place, baritonist Mulligan got the band's original pianist and tuba player (John Lewis and Bill Barber), used his own bassist (Dean Johnson) and drummer (Ron Vincent), and found able substitutes in altoist Phil Woods (unfortunately Lee Konitz was unavailable to play his old parts), trombonist Dave Bargeron and John Clark on French horn.
This jazz-themed performance release travels back to June 13, 1980 at Stockholm's famous Jazz and Blues Festival, where The Gerry Mulligan Quartet (comprised of baritone sax player Mulligan, bassist Peter Axelsson, drummer Ronnie Gardener and pianist Don Trenner) headline a live set before an enthusiastic festival audience.
Starting in the late '50s, Gerry Mulligan recorded a series of encounters with fellow saxophonists that included such immortals as Stan Getz, Paul Desmond, Johnny Hodges and Ben Webster. In 1986 he resumed the practice for this one date on which his baritone is matched with the tenor of the young great Scott Hamilton. The music, which includes warm ballads and fairly hot romps (five of the seven songs are Mulligan originals), consistently swing and are quite enjoyable.
Gerald Joseph "Gerry" Mulligan (April 6, 1927 – January 20, 1996) was an American jazz saxophonist, clarinetist, composer and arranger.
Though Mulligan is primarily known as one of the leading baritone saxophonists in jazz history – playing the instrument with a light and airy tone in the era of cool jazz – he was also a notable arranger, working with Claude Thornhill, Miles Davis, Stan Kenton, and others. Mulligan's pianoless quartet of the early 1950s with trumpeter Chet Baker is still regarded as one of the more important cool jazz groups. Mulligan was also a skilled pianist and played several other reed instruments.