This is a rather relaxed recording featuring baritonist Gerry Mulligan and some of his top alumni (trumpeter Art Farmer, trombonist Bob Brookmeyer, guitarist Jim Hall, bassist Bill Crow, and drummer Dave Bailey) exploring three of his own songs (including "Festive Minor"), Chopin's Prelude in E minor, "In the Wee Small Hours of the Morning," and "Morning of the Carnival" (from Black Orpheus). The emphasis is on ballads and nothing too innovative occurs, but the results are pleasing and laid-back.
In the summer of 1991 Gerry Mulligan decided to revisit Miles Davis's Birth of the Cool recordings. He discussed it with Miles Davis himself who said he might be interested in participating but sadly Davis died a few months later. With Wallace Roney (the perfect sound-alike) in the trumpeter's place, baritonist Mulligan got the band's original pianist and tuba player (John Lewis and Bill Barber), used his own bassist (Dean Johnson) and drummer (Ron Vincent), and found able substitutes in altoist Phil Woods (unfortunately Lee Konitz was unavailable to play his old parts), trombonist Dave Bargeron and John Clark on French horn.
Concord Music Group will release five new titles in its Original Jazz Classics Remasters series. Enhanced by 24-bit remastering by Joe Tarantino, several bonus tracks on nearly each disc (some previously unreleased) and new liner notes providing historical context to the original material, the series celebrates the 60th anniversary of Riverside Records, the prolific New York-based label that showcased some of the most influential jazz artists and recordings of the 1950s and '60s.
This jazz-themed performance release travels back to June 13, 1980 at Stockholm's famous Jazz and Blues Festival, where The Gerry Mulligan Quartet (comprised of baritone sax player Mulligan, bassist Peter Axelsson, drummer Ronnie Gardener and pianist Don Trenner) headline a live set before an enthusiastic festival audience.
Starting in the late '50s, Gerry Mulligan recorded a series of encounters with fellow saxophonists that included such immortals as Stan Getz, Paul Desmond, Johnny Hodges and Ben Webster. In 1986 he resumed the practice for this one date on which his baritone is matched with the tenor of the young great Scott Hamilton. The music, which includes warm ballads and fairly hot romps (five of the seven songs are Mulligan originals), consistently swing and are quite enjoyable.
In early 1958 Gerry Mulligan formed the last, and some say the best, of his legendary piano-less quartets, this time featuring trumpet virtuoso Art Farmer - plus Bill Crow on bass and Dave Bailey, drums. This new Lone Hill release presents the complete concert at Adriano's Theatre in Rome on June 19th, 1959, as well as an added bonus track of Mulligan's "Utter Chaos" recorded in Stockholm, with the same band, on May 19th. Complex compositions, fluid arrangements & interplay and dynamic technique are on show throughout.