Reissue with the latest DSD remastering. Comes with liner notes. One of the hippest albums ever recorded by bassist Gary Peacock – one of his rare Japanese-only sessions, and a date that beautifully mixes his bass with acoustic and electric piano from Masabumi Kikuchi! The sound is often somewhat dark – building up slowly from the bottom on long, contemplative lines from Peacock's bass – as Kikuchi fills things in with some slightly sharp edges, but never too much so. The rest of the group features twin drums from Masahiko Togashi and Hiroshi Murakami – although each player drops out for a number apiece. Titles are all originals by Gary – and include "Hollows", "Bonsho", "Ishi", "Voice From The Past", "Requiem", and "Ae Ay".
A set that definitely lives up to the poetry promised in its title – with none of the too-clean sounds you might guess from its hand-washing reference either! The album's one of the freest, most organic sessions we've heard from pianist Masabumi Kikuchi – almost improvised at points, but with a poetic cohesion in the piano lines that's really great – kind of an offbeat sense of lyricism that points in the same directions that Steve Kuhn or Keith Jarrett were heading in the late 60s. Drummer Masahiko Togashi plays lots of cool percussion and even a bit of gong – and Gary Peacock's bass here is as great as on any of his other excellent Japanese recordings. Titles include "Dreams", "The Trap", "The Milky Way", "Apple", "Get Magic Again", and "End".
Esoteric Recordings are pleased to announce the release of a newly remastered edition of the classic album "St. Radigunds” by Spirogyra. Initially formed by duo Martin Cockerham and Mark Francis in Bolton in 1968, the band expanded when Cockerham was a student in Canterbury at the end of 1969. The expanded line-up featured Martin Cockerham (guitar, vocals), Barbara Gaskin (lead vocals), Steve Borrill (bass) and Julian Cusack (violin, keyboards) and secured a contract with B&C Records in 1970. The band’s debut album, "St. Radigunds” was issued in 1971 and featured guest drummer Dave Mattacks and Tony Cox on VCS 3 Synthesiser…
Reissue with the latest remastering. Comes with liner notes. The excitement on the cover here is very well-placed – and RCA clearly knows they've got something special on their hands – the launch of vibist Gary Burton as a leader – a force in jazz that would continue strongly for decades to come! At the time of the record, Burton had already been making waves as a session player on the Nashville scene – where RCA had some especially strong ears – but he's launched here in a mode that's quite far from those roots, and already filled with those modern, chromatic modes that would have Burton pushing the sound of the vibes forward strongly throughout his career – even on an early record like this! The group is very like-minded, and well-chosen – players who are spacious and modern, but never too much so – a quartet with Jim Hall on guitar, Chuck Israels on bass, and Larry Bunker on drums.