Galanteries Artemandoline

Artemandoline - Domenico Scarlatti: Mandolin Sonatas (2013)  Music

Posted by Designol at April 24, 2016
Artemandoline - Domenico Scarlatti: Mandolin Sonatas (2013)

Artemandoline - Domenico Scarlatti: Mandolin Sonatas (2013)
EAC | FLAC | Image (Cue&Log) ~ 264 Mb (incl 5%) | Mp3 (CBR320) ~ 119 Mb (incl 5%) | Scans included
Genre: Classical | Label: Brilliant Classics | # 94477 | Time: 00:47:08

In Domenico Scarlatti’s vast output of 555 keyboard sonatas, there are a small number of works that are especially interesting to musicologists because of characteristics such as figured bass, three‐ or four‐movement structure, and distinctive melodic lines that are particularly appropriate for a highpitched solo instrument. Some experts believe that these works were written for the violin; on this recording, after meticulous research and the discovery of an important new manuscript at the Bibliothèque de l’Arsenal in Paris, the members of Artemandoline propose the fascinating theory that the sonatas may have been composed for the mandolin. Featuring works ranging from the smaller‐scale K77 to the ambitious and technically demanding K88 – which is extremely well suited to the mandolin thanks to its four‐part chords and dynamic nuances – this disc offers a radical reinterpretation of this captivating music.
Martin Gester - J.S. Bach: Clavier-Ubung 1; 6 Partitas (2014) [Official Digital Download 24/96] RE-UP

Martin Gester - J.S. Bach: Clavier-übung 1; 6 Partitas (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 150:21 minutes | 3,56 GB
Studio Master, Official Digital Download | Artwork: Covers & Booklet

Here is yet another high-standard new addition to Ligia’s roster. Martin Gester has a wealth of all kinds of experience in the field of music. He comes back to the keyboard in the same way one returns from numerous trips, with one’s outlook enriched by accumulated know-how, focusing here on a preferred domain: the harpsichord which, after the organ, has become his main instrument. As it did for Bach, it has become the place where he “speaks” music instead of “playing” it or conducting it.