Ernie Hecks has been playing some lilting dance music at San Francisco's Fairmont Hotel but it's only been within the past year that the disk-buyinq crowd has caught up with him. Here again art the smooth Heckscher sounds on pops and show tunes for more dancing and listening pleasure.
This box is the definite overview of Georgie Fame's Columbia recordings, gathering all 46 tracks from Fame's four albums for the UK Columbia recordings, with no less than sixty bonus tracks from non lp singles, non lp EP tracks, album outtakes, BBC sessions, a 1963 demo session and stray live recordings. Several tracks included have previously been issued only on limited Japanese editions of these Fame albums. Georgie Fame is a seminal figure in British popular music who helped to introduce the sounds of rhythm and blues, jazz, soul, ska and other ‘black’ music styles to a UK audience in the 1960s.
Self-avowed amateur musician Kevin Ayers left Soft Machine because they were too advanced for him. His claim disavowing pop music ran contrary to wanting to make money, and his attitude about writing critical songs flew in the face of his theory that many musical judgments are generally negative. The ultimate flip-flopper beyond the pale of many politicians, Ayers was admittedly a lazy drunk whose disdain for learning technique branded him not only an anomaly, but in many circles charming via an idiot savant persona.
SHOOTING AT THE MOON, originally released in 1970, was Kevin Ayers's second solo album after leaving the Soft Machine, and his first recorded with his touring band of the moment, Kevin Ayers & the Whole World. Retrospectively, of course, this band became somewhat legendary, as Ayers's primary collaborators were reedsman Lol Coxhill and an 18-year-old whiz-kid guitarist named Mike Oldfield, both of whom later went on to much bigger things. But even on its own merits, SHOOTING AT THE MOON is one of Ayers' finest albums. Lacking the faux-naif persona of his solo debut, JOY OF A TOY, and recording with a full band for the first time since the Soft Machine's first album, Ayers creates challenging, compelling music that doesn't stint on his trademark whimsy.