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Øystein Sevåg - 3 Studio Albums (1993-1995) (Repost)  Music

Posted by gribovar at Nov. 4, 2016
Øystein Sevåg - 3 Studio Albums (1993-1995) (Repost)

Oystein Sevag - 3 Studio Albums (1993-1995)
EAC Rip | FLAC (image+.cue+log) - 735 MB | MP3 CBR 320 kbps (LAME 3.93) - 328 MB | Covers - 150 MB
Genre: New Age | RAR 3% Rec. | Label: Windham Hill Records, Siddhartha Spiritual Records

New Age composer and keyboardist Øystein Sevåg was born in Norway in 1957, beginning piano lessons at age five. As a teen he played bass in a rock band but returned to his classical roots in time to study piano, flute and composition at the Music Conservatory of Oslo; by the 1980s, however, Sevåg had become fascinated by the possibilities offered by the development of the synthesizer, and he plunged into electronic music with his self-released 1989 debut LP "Close Your Eyes and See". The product of five years in the studio, the album slowly crept into Billboard's New Age charts, and it landed Sevåg on the Windham Hill label to issue the follow-up, 1993's "Link"…
Vincenzo Ricca's The Rome Pro(G)Ject - Exegi Monvmentvm Aere Perennivs (2017)

Vincenzo Ricca's The Rome Pro(G)Ject - Exegi Monvmentvm Aere Perennivs (2017)
EAC Rip | FLAC (image+.cue+log) - 370 MB | MP3 CBR 320 kbps (LAME 3.93) - 134 MB | Covers - 46 MB
Genre: Instrumental Progressive Rock | RAR 3% Rec. | Label: TRP (CDALB03)

As per its title, that means I Raised A Monvmentvm More Lasting Than Bronze, the possibly final chapter of TRP saga is an instrumental concept album about the end of the roman empire and the awareness that "non omnis moriar", not all dies as the roman heritage keeps on showing in Europe, Asia and Africa. 57 minutes of instrumental progressive rock in 13 tracks.
Vincenzo Ricca, Steve Hackett, Nick Magnus, David Jackson, John Hackett, David Cross.

Gürol Ağırbaş - Bas Şarkıları İki (1998/2012)  Music

Posted by Domestos at Feb. 17, 2018
Gürol Ağırbaş - Bas Şarkıları İki (1998/2012)

Gürol Ağırbaş - Bas Şarkıları İki (1998/2012)
EAC Rip | FLAC (tracks+.cue, log) ~ 227.52 Mb + 46.53 Mb (Scans) | 43:17
Fusion, Ethnic jazz, Smooth jazz | Country: Turkey | Label: Ada Müzik

Gürol Ağırbaş, Türk bas gitarist, müzisyen. İstanbul doğumludur. Perküsyonist Birol Ağırbaş'ın kardeşidir. Türkiye'nin en tanınmış bas gitaristlerinden biridir. Çeşitli Türk pop müziği albümlerinde çalmış, Türk pop şarkıcılarıyla çalışmıştır. Türkiye'nin ilk solo bas gitar albümü Bas Şarkıları'nı çıkartmıştır. Türk Pop Tarihi klasiklerinden olan Demet Sağıroğlu'nun seslendirdiği Arnavut Kaldırımları isimli parçanında bestekarıdır. Aynı zamanda Uzay Ağırbaş isimli bir oğlu vardır.
Ketil Haugsand - G.B. Antoine & Jean Baptiste Forqueray: Pieces de Viole mises en Pieces de Clavecin (2011)

Ketil Haugsand - G.B. Antoine & Jean Baptiste Forqueray: Pieces de Viole mises en Pieces de Clavecin (2011)
XLD | FLAC (image+.cue, log) | Covers Included | 02:08:36 | 874 MB
Genre: Classical | Label: Simax Classics | Catalog: PSC 1317

This double-disc set might seem to be an item for Baroque specialists only, but general listeners should sample it as well; it's quite lovely, and its history has a labor-of-love aspect that comes through in the playing by Norwegian harpsichordist Ketil Haugsand, a specialist in the music of Jean-Baptiste Forqueray. He built the harpsichord himself and finally managed to record these pieces after several false starts.

Gürol Ağırbaş - Bas Şarkıları (1995/2012)  Music

Posted by Domestos at Feb. 16, 2018
Gürol Ağırbaş - Bas Şarkıları (1995/2012)

Gürol Ağırbaş - Bas Şarkıları (1995/2012)
EAC Rip | FLAC (tracks+.cue, log) ~ 249.43 Mb + 45.58 Mb (Scans) | 46:39
Fusion, Ethnic jazz, Smooth jazz | Country: Turkey | Label: Ada Müzik

Piyasada artık bulunmayan pek çok 90’lı yıllar albümlerinin yeniden basıldığını görmek/duymak inanılmaz sevindirici. Bu konuda yeni bir müjde daha Ada Müzik’ten geldi. Gürol Ağırbaş’ın ’95 yılında yayınlanan ilk albümü ‘’Bas Şarkıları’’ ile ’98 yılında yayınlanan ikinci albümü ‘’Bas Şarkıları İki’’ Ada Müzik etiketiyle tıpkı basım olarak yayımlandı.
Poliça & s t a r g a z e - Music for the Long Emergency (2018)

Poliça & s t a r g a z e - Music for the Long Emergency (2018)
WEB FLAC (tracks) & front cover - 228 MB | MP3 CBR 320 kbps - 87.2 MB
Label: Transgressive Records | Tracks: 07 | Time: 38:02 min
Indie Pop, Alternative, Female Vocal

Transgressive Records present Music For The Long Emergency, a full-length collaboration between POLICA, an electronic pop band based in Minneapolis, and s t a r g a z e, a Berlin-based chamber orchestra interested in pop and electronics. Having been first introduced via the Liquid Music project run by the St. Paul Chamber Orchestra in Minnesota, with the hope of a cross-genre collaboration, POLICA and s t a r g a z e first met in person in February 2016 in the Berlin living room of the conductor and 'leader' of musical collective s t a r g a z e, Andre de Ridder.
Robert Shaw Festival Singers - Francis Poulenc: Mass In G Major; Motets For Christmas And Lent (1990)

Francis Poulenc: Mass In G Major; Motets For Christmas And Lent (1990)
Robert Shaw Festival Singers, conducted by Robert Shaw

EAC | FLAC | Image (Cue&Log) ~ 185 Mb | Mp3 (CBR320) ~ 139 Mb | Scans included
Classical, Choral, Sacred | Label: Telarc | # CD-80236 | Time: 00:52:02

Robert Shaw leads the Robert Shaw Festival Singers in these powerful works of Francis Poulenc. Poulenc experienced a spiritual crisis which led to the composition of his powerful Mass in G major, which is dedicated to the memory of his father. Paired with this work are his Four Motets for Christmas, Four Motets for a Time of Penitence, and Four Short Prayers of Saint Frances.

G.I. Joe - Le réveil du Cobra (2009)  Video

Posted by Tavaz at Jan. 9, 2018
G.I. Joe - Le réveil du Cobra (2009)

G.I. Joe - Le réveil du Cobra (2009)
BDRip | MKV | 1920x1080 | French / English | H264 | AC-3 @ 640 kbps | 1 h 57 min | 11.5 GiB
Subtitles: French, English
Genre: Action, Adventure, Sci-Fi

From the Egyptian desert to deep below the polar ice caps, the elite G.I. JOE team uses the latest in next-generation spy and military equipment to fight the corrupt arms dealer Destro and the growing threat of the mysterious Cobra …
Byard Lancaster Quartet - Ancestral Link Hotel (2006) {CIMP CIMP340}

Byard Lancaster Quartet - Ancestral Link Hotel (2006) {CIMP CIMP340}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 246 Mb | MP3 @320 -> 132 Mb
Full Artwork @ 300 dpi (jpg) -> 13 Mb | 5% repair rar
© 2006 CIMP | #340
Jazz / Post Bop / Free Funk / Avant-Garde Jazz / Saxophone / Afro Flute

The cover of every CIMP CD contains a “statement of purpose” describing the imprint’s m.o. and including the mandate, “Give [the disc] your undivided attention and it will reward you. CIMP records are not intended to be background music.” These words should be kept in mind, especially while listening to Ancestral Link Hotel’s 21-minute title track. Byard Lancaster begins with a chant and a wail, pulls out the Afro flute for some quick runs and eventually picks up his alto. Drummer Harold E. Smith starts on conch shell and didgeridoo. Two bassists, Bert Harris and Ed Crockett, provide spare but percussive drones that come and go as needed. Anyone expecting “something to happen” misses the point. Anyone listening closely will be swept up by the organic flow of the music.

Chet Atkins, C.G.P. - Stay Tuned (1985) [Re-Up]  Music

Posted by Designol at Nov. 26, 2017
Chet Atkins, C.G.P. - Stay Tuned (1985) [Re-Up]

Chet Atkins, C.G.P. - Stay Tuned (1985)
EAC | FLAC | Image (Cue&Log) ~ 209 Mb | Mp3 (CBR320) ~ 100 Mb | Scans included
Country Pop, Guitar Jazz, Finger-Picked Guitar | Label: Columbia | # CK 39591 | 00:37:16

After decades of recording for RCA Victor, Atkins switched labels; this 1985 effort is a summit meeting of sorts with young guitar hotshots like Larry Carlton, George Benson, Mark Knopfler, Steve Lukather, and Earl Klugh, plus session A-teamers like Boots Randolph, Larrie Londin, David Hungate, Mark O'Connor and others. Atkins' tone is, as usual, faultless, and his playing superb. If the "meetings" don't always come off, it's usually due to the overzealousness of the other guitar players (Lukather's over-the-top style screams '80s big hair, for instance), not Chet, whose playing always exercises the utmost in restraint in every situation. All in all, a good modern-day Chet Atkins album, but not the place to start a collection.