Rattlemouth is Richmond, Virginia's band. Featuring the saxophones of Danny Finney, the angular rhythm section of Robbie Kinter (drums) and Wayne O'Bryan (bass), and the guitar of Stephen Williams. The sax and bass are dominating here, going berserk at times, and more subtle in other instances. Sometimes going more towards jazz-rock, and in other tracks towards a more disjointed and adventurous path. Comparisons have been made to French RIO band Etron Fou. The music has a kind of groovy feel to it; maybe not music to dance to, but definitely music to move to and enjoy.
Fourth album four years after previous album was released. From very first moments you hear very solid sax and supporting jazz-rock band…
Now That’s What I Call the 1990s focuses on the decade’s second half, splitting its time between pop songs and the alternative music that followed in grunge’s footsteps. Pearl Jam and other hard-edged bands are absent from this compilation; instead, slicker groups like Live (“I Alone”) and Collective Soul (“Shine”) represent the wave of mainstream rock that swept through the Clinton era, with Everclear (“Father of Mine”) and Sublime (“What I Got”) thrown in for good measure. Des’ree’s “You Gotta Be” and New Radicals’ “You Get What You Give” help anchor the album’s pop side, while the inclusion of Edwin McCain’s “I’ll Be” is a reminder that the decade also spawned many an omnipresent wedding song. Ignoring grunge, Euro-dance, and teen pop makes this a narrow-minded compilation, but for those who like the aforementioned songs, Now That's What I Call the 1990s is an easy way to get them all in one place.
Though Broken Bells featured two of the bigger names in indie and alternative music – the Shins' singer/guitarist James Mercer and producer/multi-instrumentalist Brian Burton, aka Danger Mouse – the duo managed to keep their project secret for a relatively long time. The pair were inspired to collaborate when they met at 2004's Roskilde music festival in Denmark, where they discovered they were fans of each other's work. However, they didn't start writing and recording together as a band until March 2008, when Mercer holed up in Burton's home studio in Los Angeles. The duo took a different approach to their work together than they had with their other projects: Burton avoided the sample-heavy style he used on The Grey Album and Beck's Modern Guilt, and played only live instruments, while Mercer broadened his vocal style to include falsettos and deeper registers. Mercer and Burton announced they were Broken Bells in fall 2009, and late that year they released their debut single, "The High Road." Their self-titled debut album arrived in spring 2010.
Formed in 2009 as a solo vehicle for Sydney-based singer/songwriter Dave Hosking, Boy & Bear specializes in evocative and heartfelt indie folk-rock in the vein of contemporaries like Fleet Foxes, Bombay Bicycle Club, and Mumford & Sons. Rounded out by guitarist Killian Gavin, bass player Dave Symes, and brothers Tim (drums) and Jon Hart (mandolin, keyboards), the Aussie quintet inked a record deal with Island Records on the strength of its independently released first single, "Mexican Mavis." The group's debut EP, With Emperor Antarctica, dropped in early 2010, followed in 2011 by Boy & Bear's debut long-player, Moonfire, which went platinum in their native Australia. The band's sophomore outing, 2013's Harlequin Dream, would go gold.
This is a double CD collection of studio recordings from 1962 to Luke’s untimely death in 1984, covering the original releases of the songs that became synonymous with Luke. In addition the collection will include the rare recording of Ray Davies song ‘Thank You For The Days’.
This double CD is the most comprehensive collection of Elkie's music yet released. The first CD is similar to previous compilations, focusing on hits and covers of other songs. Some covers (Nights in white satin (Moody blues(, Don't Stop (Fleetwood Mac)) show that Elkie can take famous songs and keep them interesting. Others (such as Lilac wine) she plucked from obscurity and made her own. This CD contains much great music, most if not all previously released on CD. The second CD showcases Elkie's blues roots. It also includes covers, but of bluesy songs such as Hello stranger (Barbara Lewis), The way you do the things you do (Temptations), Rescue me (Fontella Bass), He's a rebel (Crystals) and Do right woman do right man. The first 13 tracks on this CD pre-dates Elkie's commercial breakthrough and some may be making their CD debut.