Released swiftly after Ghost Stories – just a year and a half, all things considered – A Head Full of Dreams plays like a riposte to that haunted 2014 album. Where Chris Martin spent Ghost Stories in a mournful mood – his sorrow perhaps derived from his divorce to Gwyneth Paltrow or perhaps not; it's best not to read too much into the tabloid headlines – the Coldplay leader sees nothing but sunshine and stars on A Head Full of Dreams. Martin gives away the game with his song titles. He's quite literally having "Fun" on an "Amazing Day," living for the weekend and viewing his impending middle age as nothing so much as the "Adventure of a Lifetime."
A decade after Chris Daughtry came in fourth on the fifth season of American Idol, the singer's post-Idol band DAUGHTRY has amassed enough hits to create a hits collection, hence the 2016 release of It's Not Over: The Hits So Far. This 13-track collection doesn't contain every single DAUGHTRY track issued to radio – the most conspicuous absences are "Outta My Head," "Start of Something Good," and "Battleships," all entries on the U.S. Adult Top 40 – but it has all the big active rock hits, ranging from the Top 10s "It's Not Over" and "Home" to "Over You," "What About Now," "No Surprise," and the singalong "Long Live Rock & Roll."
After the success of their first album « A suivre », the PJBB members have now chosen the Mediterranean as a playground. In a festive and warm atmosphere, their music is sometimes full of energy, sometimes of sensuality. The big band is still conducted by trumpet player Nicolas Folmer and saxist Pierre Bertrand, who composed almost all the pieces, except for two that were composed by their guest, the accordion player Richard Galliano.
My Chemical Romance have announced The Black Parade/Living With Ghosts, a reissue of their 2006 album The Black Parade to celebrate the 10th anniversary of its release. The band excited fans around the world earlier this month with the prospect of a potential reunion, but later confirmed that the only thing in the works was the anniversary re-release. The Black Parade/Living With Ghosts is out September 23 via Reprise in a 2xCD package 3xLP vinyl set. Living With Ghosts features unreleased demos and rare mixes from the Black Parade sessions. It also features “The Five of Us Are Dying (rough mix),” an “early version” of the song that would eventually become “Welcome to the Black Parade.”
50th Anniversary Commemoration Edition of the TORMÉ-PAICH legendary sessions. A milestone in the history of vocal jazz, with fully illustrated booklet (rare & unpublished photos). The definitive edition. Fascinated by the sound of the 1953 Gerry Mulligan Ten-tette, Mel Tormé had always felt that these same patterns, re-worked for the proper vocalist, could blend voice and instrument to the mutual satisfaction of both. In 1956, this idea became a reality. The task of selecting musicians who could produce this sound was given to the versatile pianist-arranger Marty Paich who, in fact, co-featured with Mel on these recordings.
We have decided to choose PARIS, glorious & mysterious, as a starting point of our compositions. The omnipresence of rhythm in the sounds of the city made us want to base this record on original grooves of drums & percussions, and then to give free rein to our impressions and images of PARIS. We have thus rendered 24 hours of the life of an imaginary observer in PARIS into music.
Singer/songwriter and visual artist Devendra Banhart emerged in the early 2000s and was soon considered an icon of the freak folk movement. In the years that followed, he expanded and experimented with his sound, perhaps hitting peak meandering with 2007's Smokey Rolls Down Thunder Canyon. Still touching on multiple genres, 2013's Mala offered a more cohesive set. With Ape in Pink Marble, Banhart continues to reel in diversions and delivers his most understated album in over a decade. The palette is playful but restrained, with acoustic guitar, synths, mallet percussion, and Mellotron among its tools.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Fifteen tracks taken from the most disparate and most unknown of Paco de Lucía’s works. In the first place the Extended Play of 1964, the guitar of Paco de Lucía, with four toques. The alegrías recorded for the record In Memoriam Niño Ricardo in 1972. The parts Paco recorded for the Dolores record Asa-Nisa-Masa in 1978. The three pieces he composed for the film by José Luís Borau La Sabina.
The Beacon Theatre in New York holds 2,700 people, and—much like fans claiming to have seen the final game of the Brooklyn Dodgers at Ebbets Field—there may already be 20,000 people who swear they were there for Sonny Rollins' 80th Birthday performance. At 80 years old, Rollins is still a damn good tenor saxophonist, and Roadshows Volume 2 captures terrific performances from three 2010 live dates, with a heavy emphasis on that birthday party and some A-list guests.
Not many records can be pinpointed as genuine historical turning points, but La Leyenda Del Tiempo is a bona fide before/after landmark in the flamenco world. El Camarón de la Isla, almost universally regarded as the greatest flamenco singer of all time, put aside his classic partnership with Paco de Lucía to record with different musicians and incorporate rock and jazz elements on an album often called the Sgt. Pepper's of flamenco. It was a radical, daring step by a singer in his late twenties who opened the door for a whole wave of musicians and bands who are still major figures in Spanish music. It cemented the legend of El Camarón de la Isla as a towering creative force who, much like Bob Marley in reggae, brought flamenco into the present without losing the essence of the root tradition.