Son of the Blues, Jazz is one of the deepest expressions in music. With improvisation as its foundation, the genre includes multiple artists that are embedded in gold letters in the history of popular music. Golden Jazz Box is a celebration of that legacy, presenting the 6 best albums of each one of the genre's biggest icons: Miles Davis, John Coltrane, Chet Baker, Dave Brubeck, Bill Evans y Duke Ellington. Golden Jazz Box works as a true musical encyclopedia, the definitive collection of these wonderful singers in one six-CD box. Golden Jazz Box is a fantastic album, suitable for any moment and mood and an opportunity to get closer to these timeless artists.
Fame was a film directed by Alan Parker, a serious auteur (some would say overly serious, especially in light of the work that came later) who designed the film for posterity, and the same attitude carried over the music. Yes, the production techniques often do sound dated – the over-reliance on state-of-the-art synthesizer ironically now sounds helplessly tied to the year of its creation – but the music by Michael Gore is dynamic, varied, and alive, sung with real passion and vigor, and it still retains its essential spark 23 years after it was a pop culture phenomenon. Sure, it's glitzy and glossy, sounding like show tunes, but that's the tradition of this music, and it was done better than most Broadway tunes and movie soundtracks of the '80s. Years later, this still has the spark and vitality of kids trying to make their big break, no matter the kind of music they're singing, and that's one of the main reasons (along with Gore's fine compositions) Fame retains its power and entertainment value years later.
Whenever he was asked to name his own personal favorite within his long and distinguished oeuvre, Jerry Goldsmith inevitably cited his work on 1977's obscure Ernest Hemingway adaptation Islands in the Stream. A lush, often melancholy score evoking both the serenity and the treachery of the sea, it is undoubtedly Goldsmith's most intimate effort, eschewing the larger-than-life drama and suspense of his best-known soundtracks. Islands in the Stream is above all a showcase for the composer's consummate ability to vividly communicate both the physical and emotional landscape in such simple yet precise strokes – employing little but a lone French horn, Goldsmith's main theme captures the immense loneliness and solitude of George C. Scott's protagonist, while gentle woodwinds suggest the ocean waves lapping the shore of his island home.
From The Vile Catacombs isn’t just the coolest album name this side of Iced Earth’s Plagues Of Babylon (2014), it’s also Ra’s Dawn return, of sorts. Notwithstanding rather feeble debut Scales Of Judgement (2006) and admittedly far more stable sophomore effort At The Gates Of Dawn (2009), the German prog metallers, ever with a penchant for the lore of the ancient Egyptians, have taken their sweet time in creating album number three, and done so with nary a fuck to give as to what the critics may think. The album proves to an enjoyable listen as at eight tracks and just under 50 minutes it manages to fly by rather swiftly, an attest to its better qualities as I find myself wanting more.