Mark Rappaport's creative bio-pic about actress Jean Seberg is presented in a first-person, autobiographical format (with Seberg played by Mary Beth Hurt). He seamlessly interweaves cinema, politics, American society and culture, and film theory to inform, entertain, and move the viewer. Seberg's many marriages, as well as her film roles, are discussed extensively. Her involvement with the Black Panther Movement and subsequent investigation by the FBI is covered.
Not quite new wave, nor Goth, or even pop, Gene Loves Jezebel falls into that catagory of hybrid. Having been a fan for 15 years, I am forever on the hunt for c.d.s, comps, etc., and found that most are out of print, including the excellent Kiss of Life and Immigrant albums. But this collection culls the best from their six albums, including the aforementioned ones. As expected, Desire is on this c.d., but also songs from 'Promise' (Bruises, Upstairs) and 'Immigrant' (Steven). All the tracks are prime examples of how this band really was during the late eighties. My faves are Bruises, Sweetest Thing, Twenty Killer Hurts and Jealous, but overall this is the best album you could buy as an introduction to the band. You will wonder why they weren't bigger than they were!.
Nellie Lutcher was at the peak of her fame during her period with Capitol (1947-1951). A fine swing-based pianist, Lutcher was best known for her unique vocal style, which included witty asides that often sounded spontaneous. This well-conceived CD has 18 of her recordings from 1947 and one apiece from 1949-1951. Highlights include "Hurry on Down," "The One I Love Belongs to Somebody Else," "He's a Real Gone Guy," "Chi-Chi-Chi Chicago," "The Song Is Ended," "Fine Brown Frame," and two previously unissued numbers. With sympathetic and swinging backing from various guitarists (including Ulysses Livingstone and Irving Ashby), bassists, and drummers, the spotlight is on Nellie Lutcher throughout. This highly recommended disc is easily her definitive CD.