Friday Night In San Francisco

John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco (1981) - NEW 2016 RIP In 24bit/96kHz

John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Mastered At MASTERDISK By Robert Ludwig
Label: Columbia/FC 37152 | Release: 1981 | Genre: Acoustic-Fusion

Essential: a masterpiece of fusion music
The day I heard these three musicians, I was literally "combed back." Well, is that this concert became part of the essential in guitar history (long before fashion "unplugged").
Al di Meola, John McLaughlin, Paco de Lucia - Friday Night in San Francisco (1981) [Non-Remastered]

Al di Meola, John McLaughlin, Paco de Lucia - Friday Night in San Francisco (1981)
EAC | FLAC | Image (Cue&Log) ~ 231 Mb (incl 5%) | Mp3 (CBR320) ~ 120 Mb (incl 5%) | Scans included
Genre: Flamenco, Jazz Fusion | Label: Philips/Phonogram | # 800 047-2 | Time: 00:40:44

Loose and spontaneous, this (mainly) live album is a meeting of three of the greatest guitarists in the world for an acoustic summit the likes of which the guitar-playing community rarely sees. Broken up into three duo and two trio performances, Friday Night in San Francisco catches all three players at the peaks of their quite formidable powers.
John McLaughlin / Al Di Meola / Paco De Lucía ‎– Friday Night In San Francisco {Original SP} Vinyl Rip 24-96

John McLaughlin / Al Di Meola / Paco De Lucía ‎– Friday Night In San Francisco (1981)
Vinyl rip in 24 bit/96 kHz | 860 Mb, 4% RAR Recovery| FLAC tracks | Complete Artwork
Philips ‎– 6302 137 (Original Spanish, 1981) | Fusion, Jazz
Al Di Meola, John Mclaughlin, Paco de Lucia - Friday Night In San Francisco (1981) [Reissue 1999] PS3 ISO + FLAC

Al Di Meola, John Mclaughlin, Paco de Lucia - Friday Night In San Francisco (1981) [Reissue 1999]
PS3 Rip | SACD ISO | DSD64 Stereo > 1-bit/2.8224 MHz | 40:56 minutes | Scans included | 1,26 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 833 MB
Al Di Meola, John McLaughlin, Paco De Lucia - Friday Night In San Francisco (1981/2013) [24bit/176,4kHz] RE-UP

Al Di Meola, John McLaughlin, Paco De Lucía - Friday Night In San Francisco (1981/2013)
FLAC (tracks) 24 bit/176,4 kHz | Time - 41:02 minutes | 1,79 GB
Studio Master, Official Digital Download | Artwork: Front cover
Al Di Meola, Paco de Lucia, John McLaughlin - Friday Night in San Francisco (1980) [Remastered 1997]

Al Di Meola, Paco de Lucia, John McLaughlin - Friday Night in San Francisco (1980) [Remastered 1997]
EAC rip | FLAC+CUE+LOG | Scans | 340 Mb (Incl. Recovery)
Genre ~ Fusion, Post-Bop, Guitar Jazz | Label ~ Columbia Records
John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco (1981 LP/FLAC) In HiRes (24bit/48kHz & 16bit/44kHz)

John McLaughlin, Al Di Meola, Paco De Lucía - Friday Night In San Francisco (LP)
Vinyl | LOG | CUE | FLAC | Full LP Cover (1:1)
24bit/48kHz: 508mb & 16bit/44kHz: 256mb
Genre: Acoustic-Fusion | Label: Columbia – FC 37152 | Original First US Pressing | Release: 1981

…Somehow John McLaughlin, Al Di Meola and Paco De Lucía, became my heroes (and many)….
Al DiMeola, John McLaughlin & Paco De Lucia – Friday Night In San Francisco Live (1980)(Columbia Legacy SBM Gold Disc)

Al DiMeola, John McLaughlin & Paco De Lucia – Friday Night In San Francisco Live (1980)(Columbia Legacy SBM Gold Disc)
1980 | Genre: Flamenco/Jazz | EAC RIP | FLAC+CUE+LOG+HQ-Covers(400Dpi) | 286Mb

This live recording from 1980 matched fusion guitar heavyweights Al DiMeola and John McLaughlin with Spanish guitar whiz Paco DeLucia. The result, a dazzling technical display, also earned jeers as the international summit of world-class finger-wigglers by critics who felt it was long on chops and short on heart. John McLaughlin's importance to the development of the jazz fusion scene can't be overestimated: as the guitarist on Miles Davis's seminal Bitches Brew and A Tribute to Jack Johnson, he was the first significant guitarist of the electric jazz era; on his own, he brought power rock, spiritualism, and lush orchestration to the scene via his Mahavishnu Orchestra. DiMeola, the most commercially successful next-generation fusion guitarist, achieved stardom with Chick Corea's group Return to Forever and on his own records. DeLucia, virtually unknown in the U.S., is a fine flamenco guitarist, and it is that orientation more than anything that colors Friday Night: even when playing straightforward non-flamenco compositions, the phrasing and sensibility lurks behind every note. Still, the passion of the music is frequently marred by the participants' inability to play at anything but the most breakneck pace.
Я тут обнаружил, что заработала ссылка My News, то есть наконец-то стал выдаваться список всех твоих публикаций, а не только страница с последними. Это несказанно порадовало, и я решил посмотреть свои старые публикации. Да-с, очень много пропало… Но это и повод кое-что повторить!

Reupload from June, 29, 2005. Links was deleted.

Один из моих любимейших альбомов гитарной музыки. Такие люди собрались! Гиганты инструментала, отцы… уж даже не знаю чего… :)
По моему чисто субъективному мнению, ни один из их сольных альбомов (которых и не сосчитать) не был таким удачным. Что интересно, легко узнается индивидуальность каждого и гитарные партии перепутать нельзя. Рекомендуется поклонникам каждого из музыкантов к обязательному прослушиванию! Впрочем, у вас уже, наверное, этот альбом есть… :)


Al Di Meola, John Mclaughlin, Paco De Lucia "Friday Night in San Francisco" 1981 | MP3 | 320 kbps | CD-DA Source | 88 Mb

Albert King - Wednesday Night In San Francisco (1990)  Music

Posted by v3122 at July 14, 2010
Albert King - Wednesday Night In San Francisco (1990)

Albert King - Wednesday Night In San Francisco (1990)
Blues | EAC Rip | Flac (Image) + Cue + Log | MP3 CBR 320Kbps | 7 Tracks
Covers Included | Stax | CDSXE 031 | ~259 + 110 Mb | HF.com + SM.com

Recorded in 1968, along with LIVE WIRE/BLUES POWER and Thursday NIGHT IN SAN FRANCISCO, this Albert King concert album shines the spotlight on a blues legend playing at the height of his powers. On this seven-song set at San Francisco's Fillmore Auditorium, the St. Louis-based guitarist truly gets his mojo working and schools the predominantly hippie crowd in the ways of the blues, offering up sinister, simmering takes on classics such as "I Get Evil" and "Born Under a Bad Sign." Although King is backed by a band on this date, the group is wise enough to stick to minimal accompaniment, allowing King's bold, expressive vocals and electrifying lead work to carry each song. As on LIVE WIRE/BLUES POWER, King opens with an upbeat cover of Herbie Hancock's soul-jazz hit "Watermelon Man," proving that the staunch bluesman could certainly mix it up if he felt so inclined. While many other fine King live recordings are available, this is one of his best–essential for devoted fans.