A rare atmospheric phenomenon allows a New York City firefighter to communicate with his son 30 years in the future via HAM radio.
An accidental cross-time radio link connects father and son across 30 years. The son tries to save his father's life, but then must fix the consequences.
French artist Colleen is fearless in her willingness to explore new sounds and new ways of creating music as a solo performer. On her new album A flame my love, a frequency she introduces the most drastic change to her music since she began singing on her fourth album. A chance encounter with a Critter and Guitari synthesizer at King Britt’s Philadelphia studio on the Captain of None album tour cracked the compositional model wide open. Colleen bought a Critter and Guitari Pocket Piano with the aim to use it through a newly-acquired Moog filter pedal to create new and interesting rhythms to accompany her voice and viola da gamba. But it turned out the sounds of this viola and rhythm combination was not what she was looking for, so in typical Colleen fashion, she set the viola da gamba aside altogether and picked up an additional Critter and Guitari synth, the Septavox, dug out her her trusted Moog delay and dove right in.
Little Bitch is the third album by Tito & Tarantula, released in 2000. It was the band's first album not to feature bassist Jennifer Condos, and showed a major departure from their former style. Instead, they now incorporated the use of synthesizer moog pedals, giving the music a much stronger pop-rock sound. In addition, they recruited the assistance of several female backing vocalists on most songs, instead of relying on the other band members to back up Tito Larriva's vocals. This musical element is something the band also featured on their next album, 2002's Andalucia, which featured bassist Io Perry singing backing vocals on almost every song…