Freiburger Barockorchester

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017)

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion) (2017)
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 220 MB
Label: Harmonia Mundi – 902291 | Tracks: 15 | Time: 45:55 min
Classical, Choral, Vocal

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration. In 2016 a young French composer, Pierre-Henri Dutron, persuaded René Jacobs to perform his own revision of the Requiem completed by Süssmayr. This new version was created with great success in a series of five concerts around Europe in November 2016. We now present its first studio recording, released exclusively on harmonia mundi.
Freiburger Barockorchester & Pablo Heras-Casado - Mendelssohn: Symphonies Nos. 3 & 4 (2016) [Official Digital Download 24/96]

Freiburger Barockorchester & Pablo Heras-Casado - Mendelssohn: Symphonies Nos. 3 & 4 (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 67:32 minutes | 1.12 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

In later life, Mendelssohn always opposed the use of the terms ‘Scottish’ and ‘Italian’ for his symphonies in A minor and A major respectively, as if to emphasise their qualities as ‘pure’ music. Yet they were directly inspired by his European Grand Tour of 1829-32: from the gloomy ruins of Holyrood Abbey to the sun-drenched landscapes of Rome and Naples, his imagination fashioned masterpieces that have seldom been surpassed for their sense of orchestral colour, vividly brought out here by the period instruments of the Freiburger Barockorchester.
René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017)

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 45:55 min | 225 MB
Label: harmonia mundi | Tracks: 15 | Rls.date: 2017

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration.
René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem (2017) [Official Digital Download 24/96]

René Jacobs, Rias Kammerchor And Freiburger Barockorchester - Mozart: Requiem, K. 626 (Süssmayr - Dutron 2016 Completion) (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 45:55 minutes | 806 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

1791: a busy year for Mozart who, when he received a commission for a Requiem, was already working on Die Zauberflöte and had a deadline to deliver La clemenza di Tito. Everyone knows what happened next: the commission postponed, exhaustion and death, a work left unfinished and which, after several composers were approached, was finally completed by Süssmayr. This version gradually became established as the closest to Mozart’s intentions, but is not free of faulty part-writing and orchestration.

Freiburger Barockorchester - Edition (10CDs) [2011]  Music

Posted by ArlegZ at Oct. 11, 2017
Freiburger Barockorchester - Edition (10CDs) [2011]

Freiburger Barockorchester - Edition (10CDs) [2011]
EAC | FLAC | Image (Cue & Log) ~ 3.17 Gb | Total time: 11:01:49 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 88697937052 | Recorded: 1990-1996

Das Freiburger Barockorchester zählt zu den wichtigsten Kammerorchestern weltweit. Zahlreiche nationale und internationale Auszeichnungen, darunter der Grammy Award, Echo Klassik oder der Deutsche Schallplattenpreis sind Zeugnisse ihres einzigartigen Schaffens.
Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester - Bach & Telemann: Sacred Cantatas (2017) [Blu-Ray]

Philippe Jaroussky, Petra Müllejans, Freiburger Barockorchester - Bach & Telemann: Sacred Cantatas (2017) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 1080i / 29,970 fps | 82 min | 17,6 Gb
Audio1: German / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 82 min | 4,40 Gb
Audio: German / DTS / 6ch / 48.0 KHz / 24 bits
Classical | EuroArts | Sub: French, German, English

When Philippe Jaroussky - whose angelic voice seems almost timeless - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished one bit over the centuries.
Andrea Marcon, Freiburger Barockorchester, Patricia Petibon, Philippe Jaroussky - Handel: Alcina (2016) [Blu-Ray]

Andrea Marcon, Freiburger Barockorchester, Patricia Petibon, Philippe Jaroussky - Handel: Alcina (2016) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 25001 kbps / 1080i / 23,976 fps | 188 min | 43,9 Gb
Audio1: Italian / LPCM Audio / 2.0 / 24-bit | Audio2: DTS-HD Master Audio / 5.1 / 48 kHz / 4383 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 4972 kbps / 23,976 fps | 188 min | 8,56 Gb
Audio: Italian / DTS / 6ch / 48.0 KHz / 24 bits
Classical | ERATO | Sub: Italian, English, French, German

Philippe Jaroussky as Ruggiero is in thrall to Patricia Petibon as the sorceress Alcina in Katie Mitchell’s virtuosic production of Handel’s opera from the 2015 Aix-en-Provence Festival, described by Bachtrack as “a night of a thousand delights”. Conducted by Andrea Marcon, this was, in the words of Opera News, “musically … a performance of the highest festival level”. The production of Alcina, by the British director Katie Mitchell, was welcomed by the Financial Times as “meticulously executed …, rich in detail, consummately polished”. Like Mitchell’s Aix-en-Provence staging of George Benjamin’s hugely successful Written on Skin (first seen in 2012), it offers simultaneous action in multiple zones of the stage, with Alcina’s elegant boudoir taking pride of place. As the New York Times wrote: “It involves a huge sorcery machine for turning people into animals (or whatever). And Ms. Mitchell works magic of her own onstage, constantly showing the enchantresses Alcina and Morgana alternating between glamorous public personas and their ‘real life’, older, private selves …There are also bits of simulated sex, mingling genders and suggesting, among other things, inventive new ways to hit high notes.”
Gottfried von der Goltz, Freiburger Barockorchester - Bach: Brandenburg Concertos (2000)

Gottfried von der Goltz, Freiburger Barockorchester - Bach: Brandenburg Concertos (2000)
NTSC 16:9 (720x480) VBR | (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 6.98 Gb (DVD9) | 94 min
Classical | EuroArts

When Bach was in the service of Prince Leopold in Coethen, he had his own orchestra and was contracted to compose a great deal of instrumental music. This gave him an opportunity to try new techniques and to develop his own instrumental style. The six Brandenburg Concertos belongs to these masterpieces for a small ensemble. This joyously infectious performance of these famous landmarks in the history of music by the Freiburg Baroque Orchestra demonstrates both the musical satisfaction and the high professional standard that can be reached with period instruments.
Jean-Guihen Queyras, Freiburger Barockorchester & Petra Müllejans - Haydn: Cello Concertos (2013)

Jean-Guihen Queyras, Freiburger Barockorchester & Petra Müllejans - Haydn: Cello Concertos (2013)
Classical | WEB FLAC (tracks) & front cover | 316 MB
Label: harmonia mundi | Tracks: 09 | Time: 68:37 min

The two Haydn concertos recorded here are pillars of the cello repertoire, and unquestionably the two most accomplished works in their genre from the Viennese Classical era. As to the concerto by Matthias Georg Monn (a major figure of the transition from Baroque to Classicism), it is a remarkable work from the pre-Haydn period.
Matthias Goerne, Freiburger Barockorchester & Gottfried von der Goltz - Bach: Cantatas for Bass (2017) [24/96]

Matthias Goerne, Freiburger Barockorchester & Gottfried von der Goltz - Bach: Cantatas for Bass (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 56:32 minutes | 0.98 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

In composing his cantatas for solo voice, Johann Sebastian Bach magisterially combined two elements that might seem irreconcilable: strict devotion within the framework of weekly Lutheran worship and vocal virtuosity, served by skilful highlighting of the voice. The result is a style in which the expression of the sacred Word is raised to a peak of intensity – notably when a voice like Matthias Goerne’s tackles these two famous cantatas for bass, giving them all the lustre of rare pearls!