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In Great Freedom No. 7 we are once again faced with an excellent piece of film work by the mid-century German master, Helmut Kautner. The story, as is common with his films, focuses on a love triangle and also uses sailors and their transitory way of life as a complication to this triangular arrangement as he does in Under the Bridges. He also reprises the theme of musicianship which he uses for characters in most of his films, from the composers in In Those Days and Romance in a Minor Key. As usual for Kautner, the film employs a more mobile and freewheeling camera. Zooms and pans are used to convey shifts in relationships, for example when Gisa is talking to her mother just before leaving the farm.