"This album is inspired by and dedicated to the dolphins. It was a 'calling' to spread consciousness of infinite pure love to the world. Inspired by the dolphins and composed from my heart…" ~ Frederic Delarue ~
A Message of Love is a perfect title for this beautiful and evocative tune that exudes positive energies. Delarue's forceful piano lead commands this emotional tune with background vocals of dolphin - speak, ocean waves and synthesized voices.. ~ cdbaby.com
“Dolphins: A Message of Love” is quite simply one of the most beautiful albums I’ve heard in a long time. Frederic Delarue’s third album of original instrumental works is stunning in its richness, passion, and joy. Using Korg and Kurzweil synthesizers/keyboards/ samplers, Delarue has created vibrant, inspiring music, and some tracks feature the sounds of dolphins and the ocean. Several pieces are piano-based and some feature wordless vocals that give them a very ethereal sound. I really like Delarue’s first two albums, “Voyage of the Soul” and “Soaring With the Angels,” but think this is by far his best work to date.. The CD includes two bonus tracks, “Dance of Love” and “Rejoice,” which feature more of a “dance mix” feeling with rhythm tracks and an upbeat, fun, spirit… ~ Kathy Parsonssoundtravels.co.uk
Voyage of the Soul is 1st solo instrumental album by Visionary Composer, Frederic Delarue. Very powerful album perfect for meditation, for working on yourself and releasing tensions or more, very healing, or simply to enhance your various activities or roadtrips as uplifting background music..
Frederic composes music that relaxes and empowers the soul. It tranports you in the Realms of the Universe…cdbaby.com
Albanian-born, Geneva-based violinist Tedi Papavrami has not only fashioned a major international career on the concert stage, but has had success as an actor, notably in France. That said, his focus remains on music, both as a performer and teacher. Papavrami has concertized across Europe, Israel, Turkey, and Japan, and appeared as soloist with such orchestras as the Orchestre de Paris, the Polish National Radio Symphony Orchestra, and the Bamberger Symphony.
Another example of superb programming, Piotr Anderszewski's Chopin recital on Virgin is brilliantly conceived and masterfully executed. Concentrating on the compoer's late works, Anderszewski's program starts with two sets of Mazurkas played with supple sensitivity and sympathetic poetry, builds through the last two Ballades played with dramatic intensity and terrific technique, climaxes in the last two Polonaises played with heroic grandeur and tremendous virtuosity, and closes with the tender and intimate Mazurka in F minor as an encore. Anderszewski's technique is imperious, his tone is sensual, his performances are emotional, and his interpretations are magisterial. Individually, each performance is strong and vital. Taken all together, the whole disc is more than the sum of its parts. Virgin's sound is warm but a bit close and sometimes a little too immediate.
Face à la violence, que peut la philosophie ? La question se pose avec une terrible acuité après les attentats de janvier 2015 à Paris. Cet ouvrage limpide, étincelant, destiné à un large public, met la philosophie à l'épreuve de la politique, de 1943 –; année de la publication de L'Être et le Néant –; jusqu'à nos jours, à travers des figures emblématiques. …
When Pogorelich did not make the finals of the 1980 Warsaw Competition (where they play exclusively Chopin), his response was to sign with Deutsche Grammophon for his first recording and he made it an all-Chopin affair. From his stunning opening take on Chopin's Sonata #2, to a Funeral March restored to its grandeur, to the breaktaking final moments of the Scherzo #3, Pogorelich announced to the music world that he'd arrived.
Pollini's traversal of Chopin's 19 Nocturnes (he leaves out the pair of posthumous ones) is one of his finest recordings in years. His long-lined yet detailed performances are comparable to the very different ones that have long stood at the pinnacle of recorded sets. Not as serene as Artur Rubinstein's, not as philosophical as Claudio Arrau's, nor as warm as Ivan Moravec's, Pollini's interpretations have their own allure. One is the way he shapes the melodies with a natural flow enhanced by his tonal beauty, less lean and streamlined than his usual way with Romantic music.