The early Zappa albums were treasured by the few and totally misunderstood by the majority. The brilliant SGT. PEPPER satire of the cover should have garnered extra sales, but no. Zappa's scathing wit homed in on modern middle-class America and West Coast hippies. The album offered 19 vignettes incorporating avant garde, doo-wop, some relatively conventional pop music and a lot of hilarious dialogue that was so hip it has never dated.
Lumpy Gravy, Frank Zappa's first solo album, was released months before the Mothers of Invention's third LP (even though its back cover asked the question: "Is this phase two of We're Only in It for the Money?") and both were conceptualized and recorded at the same time. We're Only in It for the Money became a song-oriented anti-flower power album with one contemporary/musique concrète/sound collage hybrid piece by way of conclusion. Lumpy Gravy collaged bits of orchestral music, sonic manipulations, spoken words, and occasional pop ditties into two lumps of 16 minutes each.
The early Zappa albums were treasured by the few and totally misunderstood by the majority. The brilliant SGT. PEPPER satire of the cover should have garnered extra sales, but no. Zappa's scathing wit homed in on modern middle-class America and West Coast hippies. The album offered 19 vignettes incorporating avant garde, doo-wop, some relatively conventional pop music and a lot of hilarious dialogue that was so hip it has never dated. Zappa made us confront the obvious, and the results were alarming. These issues are best demonstrated on "What's The Ugliest Part Of Your Body," "Bow Tie Daddy," and "The Idiot Bastard Son."
Recorded between August and October, 1967.
…And even with all this musical maturity, Supergrass hasn't sacrificed its good-natured humor, as the detailed production and the bizarre closer, "Sometimes I Make You Sad," make abundantly clear. Sometimes, maturity turns out to be everything it's supposed to be.
These guys rock. They captured a clasic sound and gave it a modern feel. If you like Ozric Tentacles, Captain Beyond, early Pink Floyd, Bloodrock etc., be prepared for liftoff to unrealized dimensions. Fantastic.
Official Release #85. This triple volume package contains an audio documentary tracing the conception and construction of Frank Zappa's We're Only in It for the Money (1968) and Lumpy Gravy (1968) masterworks. As the second entry in the Project/Object series (the first being the MoFo Project/Object in 2006 that gathered four CDs worth of goodies from the Freak Out! era), the modus operandi for Lumpy Money (2009) remains much the same as its predecessor. Presented within are primary components from both works in several unique – and formerly unissued – incarnations and configurations. It should also be noted that neither of Zappa's mid-'90s approved masters for We're Only in It for the Money or Lumpy Gravy are found here. Instead of retreading those – which (as of this 2009 writing) remain in print on the Rykodisc label – the nearly three-and-a-half hours served up here offer an embarrassment of insight into the development of the music, as well as the modular recording style that Zappa was evermore frequently incorporating into his craft.
Official Release #58. For the fifth volume in the You Can't Do That on Stage Anymore series, Frank Zappa prepared two unrelated discs. Disc one features the original Mothers of Invention in unreleased live and studio recordings mainly from 1969 (but also one from 1965 and a couple from 1967-1968). Disc two documents the 1982 European tour. There is something wicked – almost obscene – in this pairing, and it surely was intentional. Throughout the 1980s, fans of the early Mothers had attacked Zappa's integrity in the case of the re-recorded CD reissues of We're Only in It for the Money and Cruising with Ruben & the Jets, and often despised the scatological antics and straightforward rock stylings of his latter bands.