Official Release #104. All Master Recordings Produced By Frank Zappa. The Crux Of The Biscuit was created in conjunction with the 40th anniversary of Frank Zappa's 1974 album Apostrophe('). As part of the ongoing Project/Object Audio Documentary Series, it contains rare alternate mixes, live performances & studio session outtakes. This release celebrates the creation of a truly iconic record that reached the Top Ten in the Billboard Chart and earned FZ an RIAA Gold Record Award.
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
Frank Zappa’s concerts at the Roxy Theatre in Holywood in December 1973 are legendary. Frank and the Mothers played three nights on December 8th, 9th & 10th and these shows formed the basis of the “Roxy & Elsewhere” album that was released in 1974…
This four-disc, 97-track collection compiles the highlights of the first major period of Frank Sinatra's solo career, beginning with 1943's "Close To You," and ending with 1952's "Why Try to Change Me Now." Sinatra was the preeminent singing idol of American teenagers (the female ones, at least) during this period, thanks to the dreamily smooth crooning style he exhibits here on "People Will Say We're in Love," "I Should Care," "Embraceable You," and dozens of others. Sometimes the still-callow singer isn't up to the material ("Ol' Man River"), sometimes the material isn't worthy of the singer ("The Hucklebuck"), and Sinatra would certainly go on to greater artistic achievements during his Capitol and Reprise years. Still, this box set is an absolutely essential purchase for any self-respecting Sinatra fan.
Official Release #61. The date is October 28, 1968. The Mothers of Invention are playing the Royal Festival Hall in London. Frank Zappa has booked 14 musicians from the BBC Symphony Orchestra to accompany them during the first part of the show. He had been writing chamber music pieces in the hotel rooms he visited and wanted to try them out. He strung them together by devising a psychodrama he called "Progress?" This was meant (and indeed turned out) to be a one-time performance, so he made sure to record it. He released the whole thing as Ahead of Their Time 25 years later. The first half of the disc is comprised of the "play."
Just Another Band From L.A. was recorded live at the Pauley Pavillion, UCLA (Los Angeles), on August 7, 1971. Released in early 1972, it is the last album to document the Mothers of Invention lineup that included singers Mark Volman and Howard Kaylan (aka Flo & Eddie). The other bandmembers on this particular recording are: Ian Underwood, Aynsley Dunbar, Don Preston, and Jim Pons. A previous LP, Fillmore East, June 1971, focused on material related to life on the road that had to be dropped from the movie and album 200 Motels. …
Acknowledged as one of the greatest singers of the twentieth century, Arena explores the rise of the legendary crooner Frank Sinatra from his early family background to overwhelming showbusiness success. Interviews with friends, family and associates reveal a star-studded career in music and film alongside a fascinating private life of four marriages, liaison with the Kennedy family, Las Vegas business interests and an alleged association with the Mafia.
In 1966, when even the Doors and the Grateful Dead were still at a garage band level, Frank Zappa's Mothers of Invention took great pride in being the ambassadors of freakdom. The hippie/flower power culture was just getting under way, but the Mothers' debut album found them already taking great delight in turning Aquarian imagery inside out. No starry-eyed rainbow people, the Mothers were the living incarnation of underground comics such as R. Crumb's Fabulous Furry Freak Brothers: nasty, ugly, and downright dirty.