Duke Daniels is not a solo artist, but rather an alias for singer/songwriter Dan Clark and his bandmates. Led by singer, songwriter and multi-instrumentalist Dan Clark, Duke Daniels is one of southern California's best new country rock bands. With Clark's baritone vocals accompanied by Geoffrey Moore on guitar, Larry Aberman on drums, Byron Thomas on keyboards and Nick Sample, the son of jazz bassist Joe Sample, on bass, Duke Daniels continues to build on their roots-oriented sound.
On this, Charlie Daniels' second release, there are obvious signs of a bright future for the guitar- and fiddle-playing hillbilly rocker. Along for the ride is Joel "Taz" DiGregoria, Charlie's longtime bandmate and keyboard wizard. Taz even takes lead vocal duties on one song, "Billy Joe Young," and his ivory tickling is a highlight of this historical Southern rock document. Daniels rocks with the intensity of a downbound train on "Great Big Bunches of Love," and on his cover of the Jerry Lee Lewis chestnut "Drinkin' Wine, Spo-Dee-O-Dee." A true Southern poet, Charlie Daniels is seen here in the infancy of his artistic development, but even at this early stage, the poet is alive and well.
Eddie Daniels is such a monster on the clarinet that all of his GRP recordings are worth acquiring. This one, however, due to the somewhat commercial nature of some of the tunes (and the lightly funky rhythm sections), is of lesser interest compared to the classics such as Breakthrough. Daniels sounds fine but he is far better than much of the material (generally written by either the clarinetist, Rob Mounsey or Dave Grusin).
During 1991-92, clarinetist Eddie Daniels and vibraphonist Gary Burton teamed up on a tour, performing a tribute to Benny Goodman and Lionel Hampton. Never mind that they sound nothing at all like their predecessors. On the CD that resulted from the collaboration, the duo use pianist Mulgrew Miller (who sounds much more like McCoy Tyner than Teddy Wilson), bassist Marc Johnson and drummer Peter Erskine for 11 songs associated with the King of Swing plus Bix Beiderbecke's "In a Mist."
Originally titled HONEY IN THE ROCK and later renamed for its hit song (Daniels's first chart entry), UNEASY RIDER is the third Charlie Daniels album, but the first to put his name on the map. In addition to his previous southern-rock-meets-Western-swing sound, the album includes a significant R&B influence, making for an intriguing country-funk style. The title track's talking blues is particularly significant for espousing a hippie/counterculture perspective on the part of a man who'd later become known for championing more conservative values.
Jerry Corbitt (ex Youngbloods) and Charlie Daniels' live recording in the mid 70's released on Tiger Lily. Both of 'Live I' and 'Live II' received critical acclaim. The albums contain classics like 'Stormy Monday' and 'Till You Come Back Home Again.' First time on CD! Paper Sleeve Mini Vinyl LP Replica with OBI.
Agrippina is brilliant, early Handel. Composed when he was just twenty-four, it was his first big hit in the theatre. It’s full of his fresh, exuberantly inventive music and sets one of the finest librettos Handel worked with. This beautiful production, with an elegant and colorful staging, was recorded at the exquisite Rococo palace theatre in Schwetzingen, built in 1752.
When you hear yourself on a tape recorder, telephone answering machine or camcorder, are you shocked? Disgusted? Disbelieving? If 55% of the image you project is the visual and 8% your content, that leaves 37% attributed to the sound of your speaking voice – the voice you hear on your answering machine, not the one you hear in your head. Now imagine that percentage over the telephone where there is no visual!