This beautiful recording, once long out-of-print, is now remastered in high definition multi-channel hybrid SACD, and is the first album made by Jordi Savall for the Astrée label, now reissued on Alia Vox. With this rare 1975 disc, Savall confirmed François Couperin as a master composer for viola da gamba with affinities to the previous masters of French music. On the recording Mr. Savall plays an authentic 7-string bass viol, anonymously constructed in 17th century France. He is joined by musicians Ton Koopman playing a Gilbert des Ruisseaux harpsichord built in the late 17th century and Ariane Maurette playing a Barak Norman bass viol constructed in London in 1697. Couperin’s music for these colorful instruments is marvelous, contemplative and beguiling. The highly collectible album, a must-have of the Savall oeuvre, is now available again and features a very informative booklet.
Cute kids, Alice and Luke, killed his friend and bury the corpse in the woods. But they were not lucky. They observed a resident of the forest cabin, and he would not mind having some fun with them. He closes the prisoners in the basement, where they were, to his "satisfaction", the corpse of the recently "buried" his friend. And a kaleidoscope of entertainment begins.
The first performances of Les Femmes Vengées (The Avenged Women) in 1775 restored the fortunes of Francois-André Danican Philidor, which had been wavering since the great success of Tom Jones a decade earlier. His opéra-comique, which foreshadows the plot of Mozarts Così fan tutte (Mozart had been in Paris during the first performances of Philidors work), offers delicious opportunities for mock-indignation and repartee in its arias and ensembles. This recording presents the complete music. Opera Lafayette and Ryan Browns recording of Philidors Sancho Pança [8.660274] was hailed as a witty, authentic interpretation by the American Record Guide.