Acoustic MTV is a live album by Gilberto Gil, released in 1994 as part of the MTV Acoustic series. Between the tracks are old compositions of the musician and novelties. For being one of the first in the series, produced by MTV Brazil, did not have on the cover, the logo of the broadcaster or the symbol of 'Acoustic MTV', since it followed the pattern of the North American series of 'MTV Unplugged'. Where he brought only the artist in question, in the classic image, stool and guitar, with the other musicians in the background, reading only 'Gilberto Gil Unplugged'.
Although he had been playing for years, it wasn't until the 1990s that R.L. Burnside's raw electrified Delta blues were heard by a wide audience. His new fans celebrated his wild, unbridled energy, so it made sense for him to team with the Jon Spencer Blues Explosion, the warped indie rock band that's all about energy. However, the very purists who celebrate Burnside hate Spencer, believing that the latter mocks the blues. As the blistering Ass Pocket of Whiskey proves, Spencer may not treat the blues with reverence, but he and his band capture the wild essence of juke-joint blues. And that makes them the perfect match for Burnside, who knows his history but isn't burdened by it. Together, Burnside and the Blues Explosion make raw, scintillating, unvarnished blues that positively burns.
Universal Music is pleased to announce the release of the definitive Fotheringay collection, Nothing More: The Collected Fotheringay. This 3CD set is the most comprehensive compilation yet of the group’s recordings, including hitherto unseen television footage, previously unreleased live recordings from a festival in Rotterdam (both from August 1970) and, for the first time, the official release of the seven existing tracks which Fotheringay recorded in session for BBC radio.
Not really the last concert ever from the Modern Jazz Quartet – but a set that seemed so at the time, given that the group went their separate ways for a number of years! The record's got the combo in really top form – very much back to the basics of their early time on Atlantic Records, with a sublime focus on that unique sound that no other group like this could match.