After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else.
New Soil wasn't the first session Jackie McLean recorded for Blue Note, but it was the first one released, and as the title suggests, the first glimmerings of McLean's desire to push beyond the limits of bop are already apparent. They're subtle, of course, and nowhere near as pronounced as they would be in just a few years' time, but – as with the 1959 material later issued on Jackie's Bag – hints of Ornette Coleman's stream-of-consciousness melodic freedom are beginning to find their way into McLean's improvisations. His playing is just a touch more angular than the ear expects, especially given the very bluesy nature of pieces like McLean's 11-minute vamp "Hip Strut," and pianist Walter Davis, Jr.'s infectious boogie-woogie "Greasy." Coleman's influence is most apparent on McLean's "Minor Apprehension," where the freewheeling, Coleman-esque main theme is paralleled by trumpeter Donald Byrd in a definite nod to Don Cherry. What's more, drummer Pete LaRoca takes a surprisingly free solo of significant length toward the end of the track.
”Live at the Troubadour” is a live album by Carole King and James Taylor released in 2010. The album was recorded at The Troubadour in West Hollywood in November 2007 to celebrate the venue's 50th anniversary. It was also the first venue that King and Taylor played together in November 1970. The album debuted at #4 in the United States with first-week sales of 78,000. This gives James Taylor a top 10 album in every decade since the 1970s and Carole King her first top 10 album since 1976.