This collection contains 349 songs recorded at 91 separate recording sessions between October 11, 1942 and March 23, 1961. Two-thirds of the selection on this 18-disc anthology have either been out out of print since the 1940s, or have never been released in any form. Cole's 1956 album, AFTER MIDNIGHT, is included here in its entirety, along with all of the trio's more familiar songs. Included in this set are 104 tracks previously unavailable on US LPs. Sixty-six of the tracks were previously unavailable anywhere. Fifty-six rare Capitol radio transcriptions appear commercially for the first time. Dozens of the tracks appear at the correct speed for the first time ever.
You can often judge musicians by the company they keep. Float the Edge, the latest album from pianist-composer Angelica Sanchez, features her alongside two of the most sought-after rhythm-section musicians on the scene: veteran bassist Michael Formanek and rising-star Tyshawn Sorey, both acclaimed leader-composers in their own right. To be released via Clean Feed Records on March 25, 2017, Float the Edge sees this earthy, expansive trio perform Sanchez’s compositions, as well as several free improvisations. “A lot of what we do as a trio and what each of us does living a life in this music is take things to the edge, taking the risk to jump off without really knowing where you’re going to land,” the pianist says. “When it works, you feel like you’re floating it’s beautiful.”
This long-awaited third CD by the legendary New Klezmer Trio is pure pleasure. Their first two CDs, released in 1990 and 1995 respectively have long been Tzadik favorites, combining elements of jazz and improvisation with the Jewish tradition in ways both thoughtful and surprising. This is a masterful new recording by one of the classic bands in the New Jewish Renaissance. Naftule Brandwein via Jimmy Giuffre.
Why aren't there more recordings like Fly Away Little Bird? Perhaps it's because there aren't more musicians of this stature. The studio reunion of the legendarily experimental Jimmy Giuffre 3 in 1992 was reissued in 2002 on the French Sunnyside label and is a radical departure from anything the trio had done in the past. These studio apparitions of the band are their most seamlessly accessible while being wildly exploratory. In addition to the consummate improvisations and compositions by Giuffre (title track, a redone "Tumbleweed"), the tender meditations by Steve Swallow ("Fits" and "Starts"), and the bottom-register contrapuntal improves by Paul Bley ("Qualude"), this is a trio recording that uses standards such as "Lover Man," a radically and gorgeously reworked "I Can't Get Started," "Sweet and Lovely," and "All the Things You Are" to state hidden textural possibilities inside chromatic harmony. There is never the notion of restraint in the slow, easy, and proactive way these compositions are approached.