Florence + The Machine joined Clara at BBC Maida Vale for a Live Lounge Special. They performed six tracks including their latest single ‘Queen Of Peace’ and an amazingly uplifting cover of Skrillex & Justin Bieber's 'Where Are U Now'.
The much-anticipated third studio long-player from Florence Welch and her mechanically inclined companions, How Big, How Blue, How Beautiful arrives after a period of recalibration for the spirited English songtress. Arriving three-and-a-half years after 2011's well-received Ceremonials, the 11-track set, the first Florence + the Machine album to be produced by Markus Dravs (Arcade Fire, Coldplay), eschews some of the bombast and water- and death-fixated metaphors of Lungs and Ceremonials in favor of a more restrained sonic scope and an honest reckoning with the dark follies of your late twenties. This change is most notable on the workmanlike opener "Ship to Wreck," a shimmering, open road-ready folk-rock rumination on the ambiguity/inevitability of post-fame self-destruction that, unlike prior first cuts like "Dog Days Are Over" and "Only If for a Night," feels firmly rooted in the now.
There’s a point just past the halfway mark on “Shake It Out,” the rousing first single from Florence + the Machine's second studio release, when the swelling guitars, organs, and strings, staccato percussion, and Florence Welch's air-raid siren of a voice lock up in a herculean battle over which one is going to launch itself into the stratosphere first. It’s a contest that plays out at least once on each of Ceremonials' immaculately produced 12 tracks. Such carefully calculated moments of rhapsody would dissolve into redundant treacle in less capable hands, but Welch does emotional bombast better than any of her contemporaries, and when she wails into the black abyss above, the listener can’t help but return the call. Bigger and bolder than 2009’s excellent Lungs, Ceremonials rolls in like fog over the Thames, doling out a heavy-handed mix of Brit-pop-infused neo-soul anthems and lush, movie trailer-ready ballads that fuse the bluesy, electro-despair of Adele with the ornate, gothic melodrama of Kate Bush and Floodland-era Sisters of Mercy.
2009 debut album from the hotly tipped UK outfit fonted by Florence Welch. Lungs, produced by Paul Epworth, James Ford and Steve Mackay, is an intoxicating mix of delicate fragility, dark humor and twisted Tim Burton style fairy-tales. From the live favourite 'You've Got The Love' to the raw Blues-tinged 'Girl With One Eye' to the beautifully painful 'Between Two Lungs', the album is crammed with crowd pleasers. Also boasting fresh tracks like new single 'Rabbit Heart (Raise It Up)', 'Drumming' - with its epic denseness, the terrifyingly brilliant 'Howl' and 'Hurricane Drunk' with it's paradoxical charms of heartbreak, love and loss, Lungs promises to leave us wanting more of the insanely captivating Florence Welch.
Did you ever wonder how high the valves should lift; what happens when you scale it up or down; how big the inlet passage should be; why small engines run so fast; how heavy it will be; how the flywheel effect changes with size; how to set your lathe for greater accuracy; or how to check tapers and angles? Rudy describes and illustrates his real world approach to problem solving on these and other subjects in the shop and at the drawing board. He includes an outline and drawings of examples used in the DVD presentation.