The title role, in this excellent production, is sung by an Eva Mei in great vocal form, who gives an interpretation of extraordinary depth. Beside her, the famous bass-baritone Michele Pertusi, as Athanaël, shows once again his unquestionable style. On the podium is Marcello Viotti, music director of the Venetian theatre. The story of the conversion of the beautiful courtesan, and the clash between spirituality and sensuality have been portrayed brilliantly by Pier Luigi Pizzi, one of today’s most talented opera directors. The visual quality of this production is indeed one of its strong points, and the DVD recording will not fail to fascinate the viewer.
Set in Egypt, Massenet's drama 'Thais' (1894) traces the ill-fated attempt of the monk, Athanaël, to rescue the soul of the celebrated Alexandrian courtesan, Thaïs. Though she is presently living with his wealthy friend Nicias, Athanaël persuades her to renounce her way of life and riches, but as she dies in the desert in a state of grace, he realises he has succumbed to her worldly charms and begs God for mercy. Renée Fleming triumphs as the glamorous courtesan Thaïs in Massenet’s romantic tragedy set in fourth century Alexandria and the Egyptian desert. The timeless struggle between earthly desire and spiritual redemption finally destroys the resolve of the monk Athanaël (Thomas Hampson), just as the newly penitent Thaïs ascends heavenward. Jesús López-Cobos gives a masterly performance of Massenet’s sensuous score, with concert master David Chan contributing a ravishing ‘Méditation’.
In the latter twentieth and early twenty-first centuries, Itzhak Perlman has been acclaimed as being among the leading violinists before the public, and, without doubt, has been the most visible of them in media venues, from recordings and radio broadcasts to television and film appearances. No other concert violinist and few other serious musicians have achieved the widespread exposure and popularity attained by Perlman.
This Renée Fleming disc, By Request, is mostly a compilation of previously released material. There are three new tracks, "Ah fors' è lui" from Giuseppe Verdi's La Traviata, the song "Cäcille" by Richard Strauss, and "You'll Never Walk Alone" from Rogers & Hammerstein's musical Carousel. The new recordings all sound fine, and Fleming is outstanding in the re-issued pieces as well. If you have the prior incarnations of these recordings, you may elect to pass on this collection unless you want the three new tracks.
Mula is blessed with superb poise and wonderful assurance together with a tremendous ability to emotionally affect the listener.
Lyric-coloratura soprano Inva Mula has released an alluring recital of French and Italian arias for the Virgin Classics label. ‘Courtesan’ might be a more appropriate title for the disc as by my reckoning four of the heroine roles operate in that profession.
– Michael Cookson, MusicWeb International
Handel's operas–the center of his creative life before oratorios became the focus–have spent far too long in limbo awaiting rediscovery, which slowly started happening in the late '60s with works such as Giulio Cesare. But whether Handelian opera is still a novelty or you're already a rabid convert, this emotionally resonant, crisply played, superbly cast interpretation under William Christie and Les Arts Florissants is likely to shake up some of your ideas about the composer.
The great Renée Fleming stars as the beguiling femme fatale who captivates all Paris in Lehár’s enchanting operetta, seen in a new staging by Broadway virtuoso director and choreographer Susan Stroman (The Producers, Oklahoma!, Contact). Stroman and her design team of Julian Crouch (Satyagraha, The Enchanted Island) and costume designer William Ivey Long (Cinderella, Grey Gardens, Hairspray) have created an art-nouveau setting that climaxes with singing and dancing grisettes at the legendary Maxim’s. Nathan Gunn co-stars as Danilo and Kelli O’Hara is Valencienne. Sir Andrew Davis conducts.