From Gothenburg, Sweden, comes a debut album of a special kind - a unique mix of rock, funk, psych and folk combined with a new sound inspired from 60s to 70s music. Especially the intense and deep atmosphere makes this album a special one.
The Vienna Art Orchestra is a 15-member jazz orchestra that features the avant-garde arrangements and compositions of its leader, pianist Mathias Ruegg. This is a reissue of their 1980 debut, an important document in the post-modern jazz movement. The opening, title track is a joyous, folkish tango that's been cartoonishly toyed with, featuring three solo sections. The marimba section is also ornamented with vocalese from Lauren Newton, followed by an extremely playful horn lead that sounds like a toy instrument. The solo offering from violinist Rudi Berger has an electronically effected fusion sound. A tight, alto sax solo by Wolfgang Puschnig ties everything together neatly with a lengthy, unaccompanied performance.
This seventh and final installment of the Anthology of the Royal Concertgebouw Orchestra covers the years 2000 to 2010, a rich period in the orchestra's history largely characterized by the changing perspectives of a new century. Indeed, it was in 2004 that Riccardo Chailly relinquished his position as chief conductor, to be replaced by the Latvian maestro Mariss Jansons, who shifted the orchestra's focus more towards Tchaikovsky, Richard Strauss and Shostakovich. A generation of orchestral players retired and were succeeded by a group of outstanding young musicians, most of them hailing from outside the Netherlands, resulting in a growing internationalization of the Royal Concertgebouw Orchestra. Also in this period, the launch of the orchestra's own in-house record label, RCO Live, breathed new life into its rich recording tradition.
EMI Classics is proud to release the complete EMI recordings of one of the most well-known pianists, Samson François. This exclusive 36-CD box set includes all his early recordings that were mainly devoted to Frédéric Chopin. The height of Samson's art is probably to be found in the ballades (recorded between 26 and 28 October 1954, and first issued as an immensely successful 10" LP) and the dazzling interpretation of the nocturnes (recorded in May and June 1966). In the ballades and the nocturnes Samson establishes an allembracing color with the aid of the loud pedal, although he modulates its power and creates a rainbow effect through the highly skilled, yet quite unpredictable use of the soft pedal.