Michael Jayston reads this taut, suspenseful novel from the master of spy fiction, John le Carre. Britain is in the depths of recession. A left-leaning young Oxford academic and his barrister girlfriend take an off-peak holiday on the Caribbean island of Antigua. Seemingly by chance they bump into a Russian millionaire called Dima who owns a peninsula and a diamond-encrusted gold watch. He also has a tattoo on his right thumb, and wants a game of tennis.
The unrivaled master of spy fiction returns with a taut and suspenseful of dirty money and dirtier politics.
For nearly half a century, John le Carré's limitless imagination has enthralled millions of readers and moviegoers around the globe. From the cold war to the bitter fruits of colonialism to unrest in the Middle East, he has reinvented the spy novel again and again. Now, le Carré makes his Viking debut with a stunning tour-de-force that only a craftsman of his caliber could pen. As menacing and flawlessly paced as The Little Drummer Girl and as morally complex as The Constant Gardener, Our Kind of Traitor is signature le Carré.
When he released "Bitches Brew" in 1970, Miles Davis opened up a new angle to jazz which stirred up emotions like no other record before. Some critics accused Davis of selling out, while the public bought it like crazy. It is one of the most examined albums of all time, even garnering a box set of the sessions. To date, "Bitches Brew" is one of the top selling jazz albums of all time. "Miles Electric: A Different Kind of Blue" examines the next step in the creative process…performing these songs live. The 1970 Isle of Wight featured an array of performers from The Who to Jethro Tull to Joni Mitchell. With improvisation playing a big role in the performance, the band (Jack DeJohnette, Chick Corea, Keith Jarrett, Gary Bartz and Dave Holland) had to be "on", yet ready to change on the fly. Directed by award-winning producer Murray Lerner, "Miles Electric" sits down with several of the performers who played with Miles, interspersed with his 1970 Isle of Wight performance, as well as artists such as Carlos Santana and Joni Mitchell, who describe the impact Miles Davis had towards music.
In the '40s, Getz played with Goodman, Herman and Kenton. In the '60s, he helped spark the bossa-nova explosion. In between, he became one of the top sax stars in jazz, and this 154-track set captures him in that '50s prime. You'll hear scads of studio sessions plus live stuff including gems taped at the Shrine Auditorium in '57; includes And the Angels Swing; Stardust; What's New; My Old Flame; The Lady in Red; Imagination; Prelude to a Kiss, and more!