Essential: a masterpiece of progressive rock music
I remembered the first Le ORME album I ever bought. It was "Ad Gloriam", an odd pick given that album isn't what you call progressive (it was psychedelic pop). The next Le ORME album I got was "Felona e Sorona", and I couldn't be more surprised how different this album sounded.
Orson Welles' free-form documentary about fakery focusses on the notorious art forger Elmyr de Hory and Elmyr's biographer, Clifford Irving, who also wrote the celebrated fraudulent Howard Hughes autobiography, then touches on the reclusive Hughes and Welles' own career (which started with a faked resume and a phony Martian invasion). On the way, Welles plays a few tricks of his own on the audience.
In Paul Verhoeven's sexual psychodrama Turkish Delight – an adaptation of Jan Wolkers' best-selling erotic novel – Rutger Hauer (Soldier of Orange) is Eric, an Amsterdam artist whose paintings and sculptures are all perverse. He spends his days wandering around the city and picking up young female lovers – whom he beds and then tosses aside mercilessly – and keeps an extensive scrapbook of mementos from his bedmates. Eric is deeply haunted, however, by a dysfunctional past relationship. He only fell in love on one occasion: with Olga (Verhoeven regular Monique Van de Ven), a mentally unstable woman dying of a brain tumor. The film received a Best Foreign Language Film Oscar nomination in 1973 and became one of the most lucrative motion pictures ever generated by the Dutch film industry.