On their second album, 1969's "Suite Feeling", Lighthouse reached the height of their most experimental phase. Particularly on the ten-minute instrumental "Places on Faces Four Blue Carpet Traces," the jazz-rock-classical ensemble stretched out with graceful, passionate improvisations that had seldom been heard in rock arrangements. Other songs such as "Feel So Good," "Places on Faces," and "Could You Be Concerned" were among the most popular staples of their early concerts, which established them as favorites on North America's mushrooming rock festival circuit. The record also featured some of their most classical-influenced pieces, "Presents of Presence" and "Taking a Walk." They also put their individual stamp on covers of the Band's "Chest Fever" and, most adventurously of all, the Beatles' "A Day in the Life."
The anticipated debut album from Sundara Karma. This is a band we've been into for a good while now, they played at New Slang with The Wombats and we've been excited by singles like Loveblood and Flame. A great UK guitar-indie-band doing the indie thing their own way! Fans of Blossoms, Swim Deep and The Kill.
Passion is in actuality Peter Gabriel's soundtrack to the Martin Scorsese film The Last Temptation of Christ, retitled as a result of legal barriers; regardless of its name, however, there's no mistaking the record's stirring power. Like much of Gabriel's solo work, the album is a product of his continuing fascination with world music, which he employs here to create an exceptionally beautiful and atmospheric tapestry of sound perfectly evocative of the film's resonant spiritual drama; inspired by field recordings collected in areas as diverse as Turkey, Senegal, and Egypt, Passion achieves a cumulative effect clearly Middle Eastern in origin, yet its brilliant fusion of ancient and modern musics ultimately transcends both geography and time. Remarkably dramatic, even visual, it is not only Gabriel's best film work but deserving of serious consideration as his finest music of any kind; equally worthwhile is Passion – Sources, which assembles the original native recordings which served as his creative launching pad.
This programme features concert music by composers who also wrote film scores for Hollywood. While this was just one string to the considerable bows of Gershwin and Copland, Bernard Herrmann and Franz Waxman are best known for their music for Hitchcock films (Vertigo, North by Northwest, Marnie and Psycho for Herrmann; and Rebecca and The Paradine Case for Waxman). Centre stage is Gershwin’s Song-book, arranged by the composer for solo piano in order to present the songs ‘as George Gershwin plays them himself’.