Faust's second album moves closer to actual song structure than their debut, but it still remains experimental. Songs progress and evolve instead of abruptly stopping or cutting into other tracks. The opening song "It's a Rainy Day, Sunshine Girl" begins as a repetitive 4/4 beat played on toms and piano with the title sung over the top. But for seven minutes the song adds instruments, including a lush analog synth line, and ends in a memorable sax riff. Faust's lyrical side appears on the acoustic "Picnic on a Frozen River" and "On the Way to Adamäe," whereas its abrasive side pops up on "Me Lack Space."
Considered by many music historians as one of the most important group out of Germany, Faust were certainly ahead of their time. They took their music to unsuspecting heights somewhere in between Can, Velvet Underground, Neu, LA Dusseldorf or Henry Cow but also much farther and can be considered as founding fathers of the Industrial Rock. Having made their debut in 71 in Hamburg, Faust will never stop their groundbreaking and will be always one step ahead of everybody else including the groups above mentioned and are the prime example of Rock In Opposition (RIO) along with Henry Cow. Faust is definitely not for the faint-hearted person and can only be recommended in small doses because it is very dangerous for the sanity of the average proghead.
From West Side Story and Gypsy to Into the Woods and The Frogs , here's the first set to cross the whole career of Broadway's foremost living composer/lyricist! Along the way you'll dig into a treasure chest of unreleased tracks (33 including 12 performed by Sondheim, pieces from eight un-produced shows and films, songs cut from Company, Into the Woods, A Little Night Music and more) plus Everything's Coming Up Roses Ethel Merman; Comedy Tonight Zero Mostel; A Parade in Town Angela Lansbury; (If You Can Find Me) I'm Here Anthony Perkins; I'm Still Here Carol Burnett; Children Will Listen Bernadette Peters; Finishing the Hat Mandy Patinkin, and more.