The disc includes selections from the famous Fillmore shows chosen by club members.
This is the 3rd CD From the Metclub FanCan#3. This is the Load/Reload Demos Picked by the Club members.
This is 2nd CD From the Metclub FanCan#2.This is a few tracks of Metallica Live for a Members-Only Club Show at San Francisco Slim's Club on June 9th & 10th 1996
This is 1st CD From the Metclub FanCan#1.This is Metallica just Jaming in The studio with some songs played.
There are no track listings as this is on the fly jamming.
You can only get this is this CD and fancan if youare a memeber of the metallica fan club.
Very rare and hard to get now.
Bon Jovi's four-CD/one-DVD box set of rarities, 100,000,000 Bon Jovi Fans Can't Be Wrong, inspires two immediate reactions. The first: How in the world did Bon Jovi have four discs' worth of unreleased material in their vaults? The second: Who on earth would want to hear 50 rarities from Bon Jovi? To anybody who's not a devoted fan, the New Jersey group always seemed like a quintessential singles-driven band…
An incoherent tribute to Leonard Cohen, I'm Your Fan contains some fine versions of some of his best songs, but too often these renditions are half-hearted. Of particular interest are R.E.M.'s "First We'll Take Manhattan" and The Pixies' "I Can't Forget".
Sony Classical continues its major Mozart opera project with conductor Teodor Currentzis and his orchestra & choir MusicAeterna. A ‘no-compromise’ studio recording cycle of Mozart’s three Da Ponte operas. Living in a unique artistic community established on the edge of Siberia, the musicians work and record under ideal conditions towards Currentzis’ stated goal “to show what can be achieved if you avoid the factory approach of the classical music mainstream”. The soloists’ vocal technique is also markedly different to modern operatic interpretation, with a focus on intimacy and clarity, a use of vibrato remarkably restrictive even by today’s ‘period practice’ standards as well as an approach to melodic ornamentation derived from historic sources which cannot be heard in other performances of these works.