Louis Johnson (April 13, 1955 – May 21, 2015) was an American bass guitarist. Johnson was best known for his group The Brothers Johnson and his session playing on several hit albums of the 1970s and 1980s including the "best selling album of all time" Thriller. His signature sound came from the Music Man StingRay bass guitar, which Leo Fender made for him, and from his slapping technique. He is ranked number 38 on Bass Player magazine's list of "The 100 Greatest Bass Players of All Time".
Music was paramount in New Orleans, a town where they liked jazz with their blues. Regular blues musicians like Richard ‘Rabbit’ Brown got on disc when the record companies came to town. In general bluesmen and women came from out of town for their sessions, Texans like Lillian Glinn, Will Day, Oscar Woods and Blind Willie Johnson or Mississippians Bo Carter, the Mississippi Sheiks and Walter Jacobs, or out-of-towners like Little Brother Montgomery. New Orleans also saw the first recordings by fascinating Cajun musicians like Amédé Ardoin, Dewey Segura, Lawrence Walker and Cléoma Falcon, who put down their version of 12-bar blues.
Mention Nashville and the first thing that enters most minds will be Country Music and the Grand Ole Opry. Then again, for true believers the city is also the nation’s centre for Bible publishing. Perhaps less well-known but in striking contrast to God and double-knit suits is that throughout the late 1940s and 1950s, Nashville was also the home of a thriving blues and R&B recording industry. Principal among the labels were Bullet, Republic, Tennessee, Nashboro and Excello, with a welter of smaller ones such as World, Mecca, J-B and Cheker.
Detroit in the 1940s and ‘50s didn’t have a thriving record industry like Chicago. Detroit artists went there because that’s where the companies were. Even musicologist Alan Lomax made just one visit for the Library of Congress in 1938, when he recorded Calvin Frazier and Sampson Pittman. Nevertheless, enterprising individuals like Jack and Devora Brown, Bernard Besman and Joe Von Battle did their best to reflect the city’s musical talent.
California experienced a phenomenal growth in independent recording in the postwar years, after decades of dominance by the major labels. Millions had flocked there during the war years and they needed entertainment.