40 CD box set. Artists include John Lee 'Sonny Boy' Williamson, Leadbelly, Big Bill Broonzy, Bessie Smith, Muddy Waters, Mississippi John Hurt, Memphis Minnie, John Lee Hooker, Big Joe Williams and many more. 725 tracks all digitally remastered to enhance the original recordings without manipulating the character of the music. Recordings made between 1923 and 1948. 20 double slimline jewel cases housed together in a cardboard box.
The Lovin' Spoonful's fourth album, Everything Playing, was made under trying circumstances. Musically, the Sgt. Pepper/Summer of Love era had made the Spoonful's good-time, jugband approach obsolete, and chief songwriter John Sebastian had to try to keep up…
When the prevailing guitar jingle of "Mr. Jones" cascaded over radio in the early '90s, it was a sure sign that the Counting Crows were a musical force to be reckoned with. Their debut album, August and Everything After, burst at the seams with both dominant pop harmonies and rich, hearty ballads, all thanks to lead singer Adam Duritz. The lone guitar work of "Mr. Jones" coupled with the sweet, in-front pull of Duritz's voice kicked off the album in full force. The starkly beautiful and lonely sounding "Round Here" captured the band's honest yet subtle talent for singing ballads, while "Omaha" is lyrically reminiscent of a Springsteen tune.
With the release of Statement Of Intent (Edition Records, 2011) everything seemed to be coming together for Kairos 4tet. That abum, the band's second, was critically acclaimed; the band won the 2011 MOBO Award for Best Jazz Act. Then a trapped nerve in bandleader Adam Waldmann's elbow necessitated surgery shortly after the MOBO success and the saxophonist was unable to play for some months.Fortunately, by the sound of his performance here, Waldmann's recovery is complete. Everything We Hold is the sound of a band building on those earlier successes, a beautifully-crafted work that takes the quartet's sound onward and upward.
With her marriage on the rocks and looking for a fresh start, Carole King moved to Los Angeles in 1967. More specifically, Laurel Canyon, where she fell in with the nascent singer/songwriter crowd. She and bassist/boyfriend Charles Larkey (formerly of the Myddle Class, a band she and then-husband Gerry Goffin had signed to their record label) soon formed a band, adding old friend from NYC, guitarist Danny Kortchmar. The trio spent time at King's house working on a batch of songs she had written with Goffin (some previously released by other acts, some not), plus some co-written by another member of Myddle Class, Don Palmer, and fellow Brill Building refugee Toni Stern. Thanks to their industry connections it wasn't long before they had a record deal. Adding drummer Jim Gordon and naming themselves the City, they hit the studio with Lou Adler producing. The outcome of the sessions was the thoroughly charming Now That Everything's Been Said LP. Released in 1968 on Ode Records, the album had one foot in the kind of radio pop bands like the Monkees and the Mamas & the Papas were cranking out and another in the earthy, homegrown realm of singer/songwriters like Joni Mitchell and, a few years later, King herself.
Just as it’s four predecessors did, the compilation „closer to the music Vol.5 “ provides an aural overview of the latest and the forthcoming Stockfisch productions - this time for 2015. More than 79 minutes of unusual recordings and fascinating music.