With her marriage on the rocks and looking for a fresh start, Carole King moved to Los Angeles in 1967. More specifically, Laurel Canyon, where she fell in with the nascent singer/songwriter crowd. She and bassist/boyfriend Charles Larkey (formerly of the Myddle Class, a band she and then-husband Gerry Goffin had signed to their record label) soon formed a band, adding old friend from NYC, guitarist Danny Kortchmar. The trio spent time at King's house working on a batch of songs she had written with Goffin (some previously released by other acts, some not), plus some co-written by another member of Myddle Class, Don Palmer, and fellow Brill Building refugee Toni Stern. Thanks to their industry connections it wasn't long before they had a record deal. Adding drummer Jim Gordon and naming themselves the City, they hit the studio with Lou Adler producing. The outcome of the sessions was the thoroughly charming Now That Everything's Been Said LP. Released in 1968 on Ode Records, the album had one foot in the kind of radio pop bands like the Monkees and the Mamas & the Papas were cranking out and another in the earthy, homegrown realm of singer/songwriters like Joni Mitchell and, a few years later, King herself.
Just as it’s four predecessors did, the compilation „closer to the music Vol.5 “ provides an aural overview of the latest and the forthcoming Stockfisch productions - this time for 2015. More than 79 minutes of unusual recordings and fascinating music.
Often described as one of Europe's foremost living composers, Hans Werner Henze could perhaps more accurately be described as Europe's greatest living composer. Born in 1926, Henze's career spans sixty years, his style encompasses everything from neo-classicism to post-modernism, his works include everything from grand operas to intimate quartets, and his music embraces everything from ecstatic lyricism to agonizing expressionism. In this disc devoted to his music for guitar, Henze's intimate, lyrical, neo-classical side is brilliantly on display from the achingly lovely Drei Tentos (Three Attempts) and Drei Fragmente nach Hölderlin (Three Fragments from Hölderlin) both from 1958 through the intensely dramatic Royal Winter Music from 1979 to the wildly eclectic Selbst- und Zweigespräche (Monologues and Dialogues) from 1985 and Neue Volkslieder und Hirtengesänge (New Folk Songs and Shepherd's Melodies) from 1986.