Diese Zusammenstellung enthält die bekanntesten deutschen Märsche in einer hervorragenden Aufnahmequalität und sehr gut gespielt.
German Military marches played by Bundeswehr and other brass orchestras, very high quality recording. A must for the fans of the "genre" :)
Compiled between about 1620 and 1650 by the Munich painter Albrecht Wörl, this manuscript collection of early 17th century baroque lute music includes dances and song settings by many of the earliest generation of lutenist-composers working in the ‘new tunings’ (accords nouveaux). Wörl’s ability to notate the pieces he collected with accuracy seems to have been severely hampered by the rapid degradation of his eyesight. Because of this, and the fact that Wörl’s lute book contains many unique anonymous works, this manuscript, which is full of beautiful music has been overlooked for far too long. Canadian lutenist Evan Plommer presents reconstructed and revitalized versions of 36 pieces in 5 different tunings for baroque lute, including Wörl’s elaborations as well as those of his own making.
The equally majestic follow-up to one of the most successful box sets in recent memory: After KARAJAN 1960s here comes KARAJAN 1970s. Between 1970 and 1979, Herbert von Karajan recorded the incredible amount of 82 CDs worth of orchestral and choral music for DG This was the period that saw Karajan delve deeply into important repertoire that he never really tackled before or after – from Vivaldi to Mahler, to Berg, Schoenberg and Webern as well as Orff. Not to forget Christmas Concertos, National Anthems, and Prussian Marches.
"New Seasons is a project undertaken by oboist Albrecht Mayer to create "new" concertos for oboe, based primarily on the operas and oratorios of George Frideric Handel. He and arranger Andreas N. Tarkmann used arias, sometimes including bits of recitative, and gave the vocal lines to the oboe, flute, and bassoon without changing too much of the accompanimental parts to create a cycle of four concertos. Compared to Handel's original instrumental music, these are naturally more lyrical and sometimes more declamatory, but it is surprising how often the music is very dance-like. Lively, moving rhythms are not what is normally expected in vocal music, but it makes the arias used here very natural sounding as concerto movements…" ~AMG
Albrecht Mayer may be principal oboist for the prestigious Berlin Philharmonic, but he is also a very active soloist and recitalist not only on the oboe, but also on its relatives, the English horn and the oboe d'amore. Oboists of his caliber are rare, and with his lush tone, smooth control, and engaging expression it's easy to understand why he is a much sought-after musician.
Christoph Albrecht (born 4 January 1930, Salzwedel) is a German organist, conductor, composer, musicologist, and music educator. He has toured extensively as an organist, appearing in concerts and recitals throughout Europe and in the United States. He is the author of several publications on the topics of liturgy and hymnology. He has also written extensively on sacred music from the 16th through the 18th centuries, and has been instrumental in publishing many forgotten works from that period. Albrecht studied the organ with Günther Ramin. From 1943-1948 he served as organist at the Church of St. Mary in Salzwedel. In 1953 he was appointed cantor at the Naumburg Cathedral and lecturer at Kirchenmusikschule Halle. In 1960 he became director of the Kirchenmusikschule Dresden. From 1976 to 1992 he was organist and choirmaster at St. Mary's Church, Berlin. He currently maintains an active schedule as a conductor, organ teacher, lecturer, and organist.