Big Bill Broonzy’s recording career spanned from 1927 until his death in 1958. His repertoire was well recorded, from solo to duets to ensemble playing. He was rediscovered just as the "folk-revival" began in the early 1950s. Big Bill was a master of ragtime and country blues guitar. His playing was highlighted by a strong pulsating bass and melodic lead lines. Woody Mann carefully explains Big Bill’s techniques and style in this video lesson.
Features 24 bit remastering and comes with a mini-description. Quite possibly the best album to feature the talents of Chico Hamilton and Eric Dolphy – a set recorded at a time when Dolphy was an up-and-coming player on the west coast scene! Although Chico Hamilton had recorded with unusual reed players before, Dolphy brings a depth of soul and spirit to this album that's missing from a lot of Chico's earlier work at the time – a style that still holds onto some of the measured qualities of the Pacific Jazz work by the Hamilton group, yet which also opens up into some of the darker corners that Dolphy would explore more on his own recordings of the 60s.
Winner of Prix de l'Académie Charles Cros, this set brings together Robert Schumann's complete works for solo piano. This great cycle benefited from having been recorded in the unique acoustics of La Chaux-de-Fonds, Switzerland, by the same recording engineer, Jean-Marc Laisné.