Bloom is Eric Johnson's fifth studio release, released in June 2005. It was the first studio release since his 1996 album Venus Isle almost nine years prior. However in these nine years he had released a live album by his side-project Alien Love Child entitled Live and Beyond in 2000 as well as an album of previously unreleased material titled Souvenir in 2002. The album was nominated for a Grammy Award in 2006 under the category of Best Pop Instrumental Album. Special guests include Grammy Award-winning vocalist Shawn Colvin and guitarist Adrian Legg.
Venus Isle is the fourth studio album by guitarist Eric Johnson, released on September 3, 1996 through Capitol Records. The album reached No. 51 on the U.S. Billboard 200 and remained on that chart for six weeks. "Pavilion" was released as a single and reached No. 33 on Billboard's Mainstream Rock, while its B-side "S.R.V." is a tribute to guitarist Stevie Ray Vaughan and features his elder brother Jimmie Vaughan as a guest soloist.
A rare find for fans of this acclaimed guitarist/songwriter, Seven Worlds is the long-lost solo debut from Eric Johnson. Cut in the late '70s, this album is far more than a promising collection of demos; it's a full length, fully-produced album that showcases all of Johnson's awesome talent – not only as a guitar virtuoso, but as a talented pop/rock songwriter. Tunes such as "Showdown" clearly indicate the talent that Johnson had, even at this early stage. A classy false start to a great career, and a must for fans of Eric Johnson.
Tones, Eric Johnson's first solo album, is an exceptionally strong debut, and a record that is just as good as the guitarist's breakthrough 1990 release Ah Via Musicom. Grouped with long-time compatriots Roscoe Beck and Tommy Taylor, Johnson's trademark composing voice and so-sweet electric guitar are already on full display. True to the album's title, Johnson showcases many different guitar tones, from the violin-like sustain of his trademark distortion to the bell-like timbre of his clean-toned rhythm work. Johnson also sings on five of the nine songs on Tones, and his voice is as competently expressive as ever. The second half of this record is really where it moves from being simply "good" to "great." Emerging from Stephen Barber's almost new-agey Fairlight CMI vamp, "Trail of Tears" kicks into a driving groove punctuated by Johnson's chordal stabs and arpeggios and carried by one of the guitarist's best vocal melodies.