Eric Dolphy Out To Lunch (1964)

Eric Dolphy - Out To Lunch! (1964) [RVG Edition, 1999]  

Posted by Andi_Deris at May 6, 2015
Eric Dolphy - Out To Lunch! (1964) [RVG Edition, 1999]

Eric Dolphy - Out To Lunch! (1964) [RVG Edition, 1999]
EAC Rip | APE: Image+Cue+Log | 249 Mb | MP3 CBR 320 kbps | 113 Mb | Scans | Time: 42:20
Genre: Jazz, Avant-Garde Jazz, Post-Bop | Label: Blue Note/Capitol | Cat.№: 7243 4 98793 2 4

Out to Lunch! was Eric Dolphy's only recording for Blue Note Records as a leader and was originally issued as BLP 4163 and BST 84163. Today it is generally considered one of the finest albums in the label's history, as well as one of the high points in 1960s avant-garde jazz and in Dolphy's discography. Tony Williams had turned 18 a few months (75 days) before this recording, and is listed as "Anthony Williams" on the album cover. A few months after recording this album, Dolphy went on a European tour with Charles Mingus. He died shortly thereafter of a diabetic shock. His brilliant 1964 debut as a leader on Blue Note, recorded just four months before his death.
Eric Dolphy - Out To Lunch (1964) {2013 Japan SHM-CD Blue Note 24-192 Remaster}

Eric Dolphy - Out To Lunch (1964) {2013 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 372 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 600 dpi (png) -> 237 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81013
Jazz / Avant-Garde Jazz / Post Bop

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Hat and Beard" and a track for the first time in the world. Out to Lunch stands as Eric Dolphy's magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck's Time Out, and its five Dolphy originals – the jarring Monk tribute "Hat and Beard," the aptly titled "Something Sweet, Something Tender," the weirdly jaunty flute showcase "Gazzelloni," the militaristic title track, the drunken lurch of "Straight Up and Down" – were a perfect balance of structured frameworks, carefully calibrated timbres, and generous individual freedom.
Eric Dolphy - Out To Lunch! (1964/2012) [Official Digital Download 24bit/192kHz]

Eric Dolphy - Out To Lunch! (1964/2012)
FLAC (tracks) 24 bit/192 kHz | Time - 42:09 minutes | 1,86 GB
Official Digital Download - Source: | Digital booklet

Out to Lunch, Dolphy’s sole recording for Blue Note represented a pinnacle moment in avant-garde jazz. Poised with intriguing improvisation, the compelling listen would become a staple in the jazz canon. The album made a bold statement with its stunning instrumentation, ranging from alto sax to bass clarinet. This essential recording included a breathtaking tribute to Thelonious Monk.
Eric Dolphy - Out To Lunch! (1964) {1996 Toshiba-EMI Japan, TOCJ-4163}

Eric Dolphy - Out To Lunch! (1964) {1996 Toshiba-EMI Japan, TOCJ-4163}
EAC rip (secure mode) | FLAC+CUE+LOG -> 255 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 96 Mb | 5% repair rar
© 1996 Blue Note Japan / Toshiba-EMI | TOCJ-4163
Jazz / Post Bop / Avant-Garde Jazz

Out to Lunch stands as Eric Dolphy's magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck's Time Out, and its five Dolphy originals – the jarring Monk tribute "Hat and Beard," the aptly titled "Something Sweet, Something Tender," the weirdly jaunty flute showcase "Gazzelloni," the militaristic title track, the drunken lurch of "Straight Up and Down" – were a perfect balance of structured frameworks, carefully calibrated timbres, and generous individual freedom. Much has been written about Dolphy's odd time signatures, wide-interval leaps, and flirtations with atonality.
Eric Dolphy - 'Out to Lunch!' (180 g Audiophile re-issue) Vinyl rip in 24-bit/96kHz + Redbook

Eric Dolphy - 'Out to Lunch!'
Blue Note Records 180 g Audiophile re-issue
Vinyl rip in 24-bit/96kHz & 16-bit/44.1kHz | FLAC (Tracks), artworks | Stereo | 845 Go, 214 Mb | 5% RAR Recovery | 1964
Styles: Jazz, avant-garde jazz | RapidShare Download

'Out to Lunch' stands as Eric Dolphy's magnum opus, an absolute pinnacle of avant-garde jazz in any form or era.
Eric Dolphy - Out To Lunch (The Rudy Van Gelder Edition)  - 1964

Eric Dolphy - Out To Lunch (The Rudy Van Gelder Edition 24 bit Mastering) - 1964
PCM 1411kbps 44100Hz stereo | RS.com | 317 MB
Genre: Jazz

Out to Lunch! was Eric Dolphy’s only recording for Blue Note Records as a leader. Today it is generally considered one of the finest albums in the label’s history, as well as one of the high points in 1960s jazz avant garde and in Dolphy’s discography.
Freddie Roach - Brown Sugar (1964) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Freddie Roach - Brown Sugar (1964) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 230 Mb | MP3 @320 -> 89 Mb
Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5046
Jazz / Soul Jazz / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Smoking work on Hammond from Freddie Roach – a key player in the Blue Note lineup of the 60s, and a strong link between the label's soul jazz and modern sides! The sound here is a really beautiful one – partly in the organ/tenor mode forged by Baby Face Willette and John Patton in their early recordings for Blue Note, but also stretching out in that way that started to show up in Patton's later work, and in the seminal work from the time by Larry Young. Freddie's touch on the keys is really opening up here – clearly driven by some more original ideas that help push the album past the more R&B influenced sound of some of his earlier work. Players on the set include Joe Henderson on tenor, Eddie Wright on guitar, and Clarence Johnston on drums – and title cuts include "Brown Sugar", plus "All Night Long", "Have You Ever Had The Blues", and "The Right Time".
Art Blakey and The Jazz Messengers - Free For All (1964) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Art Blakey and The Jazz Messengers - Free For All (1964) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 333 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 250 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5047
Jazz / Hard Bop

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Hardly a free for all at all – as the album's a masterpiece of focus and direction, and a classic set from the sextet lineup of the Jazz Messengers! The album's a real feather in the mid-60s cap of Art Blakey –and features an expanded sound from the quintet era of his group – with a sublime horn lineup that features Wayne Shorter on tenor, Freddie Hubbard on trumpet, and Curtis Fuller on trombone – all gliding along these soaring piano lines from Cedar Walton! Reggie Workman works some real magic on bass, too – and the tracks are all very long – with titles that include "Free For All" and "Hammer Head" – both written by Shorter – plus "The Core", by Hubbard, and a beautiful version of Clare Fischer's "Pensativa".
Wayne Shorter - Speak No Evil (1964) {2013 Japan SHM-CD Blue Note 24-192 Remaster}

Wayne Shorter - Speak No Evil (1964) {2013 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 398 Mb | MP3 @320 -> 147 Mb
Full Artwork @ 600 dpi (png) -> 235 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2013 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81019
Jazz / Hard Bop / Modal Music / Post Bop / Saxophone

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Witch Hunt" and a track for the first time in the world. On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to give critics and jazz fans a different look at him as a saxophonist. Because of his previous associations with McCoy Tyner, Elvin Jones, and Reggie Workman on those recordings, Shorter had been unfairly branded with the "just-another-Coltrane-disciple" tag, despite his highly original and unusual compositions.
Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}

Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 415 Mb | MP3 @320 -> 157 Mb
Full Artwork @ 600 dpi (png) -> 261 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81075
Jazz / Post Bop / Modal Music / Trumpet

Lee Morgan's final studio recording before he was murdered was initially released as a two-fer LP, and the original recordings without alternate takes are included here on one CD. This was a fertile creative time for Morgan, as rivals Freddie Hubbard and Woody Shaw were embracing the electrified sounds of the times and Morgan followed suit. Harold Mabern is on the Fender Rhodes piano, tenor saxophonist Billy Harper proves a formidable front-line mate, and the vibrant Bobbi Humphrey is heard on flute before she commercialized her sound.