Before Derek And The Dominos were to perform in Berkeley, California at the Berkeley Community Theater, Eric Clapton was aware of a 16-year old guitarist named Neal Schon. Clapton decided to jam a bit with Santana and Schon and see what was going on. Clapton decided that Schon would be a good guy to bring with him in The Dominos. as Duane Allman was in The Allman Brothers Band and George Harrison, who had played on the first Dominos single, was not ready to perform solo yet, and All Things Must Pass was only a week away from being released. Schon declined the offer to join Clapton's band, but he did agree to perform with him at the Derek And The Dominos concert. According to the story, Schon had already joined Santana as a new member. A few years later, Schon would leave Santana and form his own group, Journey. Village Recorders Tapes is a soundboard recording but is a few generations away from the original source.
After the guest-star-drenched No Reason to Cry failed to make much of an impact commercially, Eric Clapton returned to using his own band for Slowhand. The difference is substantial – where No Reason to Cry struggled hard to find the right tone, Slowhand opens with the relaxed, bluesy shuffle of J.J. Cale's "Cocaine" and sustains it throughout the course of the album…
Laserlight's 2001 release With the Yardbirds & Jimmy Page, is another reissue that pairs early live Yardbirds recordings with the 1965 jam session credited to the Immediate All Stars (featuring Clapton, Jimmy Page, Bill Wyman, Ian Stuart, and Mick Jagger).
Clapton has now been a solo performer for so long that it is easy to forget that his formative musical years were spent working with a variety of different blues bands, including John Mayall’s Bluesbreakers, Cream, Blind Faith, and not forgetting the legendary Yardbirds. The recordings featured here are an important part of British R&B music history, chronicling the earliest recordings by Eric Clapton, who is now an international rock superstar, and The Yardbirds, one of the UK’s most important blues bands of the era.
Tired of a creeping tendency towards pop territory that was happening in his old band, the Yardbirds, Eric Clapton was after one thing alone: the blues. With John Mayall and his pool of fledgling giants he got it in spades.
If Eric Benet’s career can be defined by anything, it’s the purity of emotion. He’s consistently made music that speaks to love and speaks from the soul and on Lost In Time he does it once again. Featuring duets with Faith Evans, Chrisette Michele, Ledisi and the O’Jays Eddie Levert, Lost In Time is at once a sumptuous homage to and an expansion of the sweet soul of the 1970’s.
Eric Clapton was already an acknowledged master of the electric guitar in January 1992 when he traded his signature Stratocaster for an acoustic Martin to record Unplugged. The live album captured the legendary guitarist, backed by a small band, performing acoustic versions of his own songs and several blues standards. Released later that same year, the album was an unqualified blockbuster, selling more than 19 million copies worldwide and earning six Grammy Awards, sweeping the top honors, including Record of the Year, Album of the Year and Song of the Year. Reprise Records celebrates Clapton's electrifying acoustic performances with a new 2-CD/DVD collection that includes a remastered version of the original album along with six unreleased outtakes on two CDs. The DVD features a newly restored version of the concert, as well as more than an hour of previously unseen footage from the rehearsal.