With Perpetuum, Dutch pianist Edwin Berg and his band mates enter an increasingly crowded field: to wit, piano trios that seem, consciously or otherwise, to worship at the shrine of Brad Mehldau. Any number of new-ish pianists on the scene have released records ranging in quality from good to excellent—Aaron Goldberg's Worlds (Sunnyside, 2006); Florian Weber's Minsarah (Justin Time, 2006); Florian Ross's Big Fish & Small Pond (Intuition, 2007); John Chin's Blackout Conception (Fresh Sound New Talent, 2008)—in this Mehldauvian vein.
Here's a recording that doesn't introduce its star name until it's more than half over, and works quite well on that account. The understanding of the opening work, Alban Berg's six-movement Lyric Suite (1926), has evolved since scholars discovered a secret copy of the work that, despite its use of the abstract 12-tone system, outlines a quite specific program depicting the course of the composer's extramarital affair with Dorothea Robetin the previous year. The finale was even shown to contain an unsung melody, a setting of a very relevant Baudelaire poem, and to be performable with the melody sung.
These first complete recordings of the string quartets of Schoenberg, Berg, Webern and Zemlinsky have won numerous international awards and been hailed as landmarks in the discography of 20th-century music. Impeccable ensemble, superbly blended timbre and pure intonation ….This set [Schoenberg, Berg, Webern] is indeed a wonderful achievement (MusicWeb International). Febrile intensity and faultless proportioning of each formal structure [Zemlinsky] (Guardian).
Bee Jazz releases the second album from the Edwin Berg trio with the lyrical Eric Surménian playing double-bass and the subtle Fred Jeanne playing drums. The first album Perpetuum have seen the gifted Kenny Werner getting a franc success with the acknowledgement “of a perfectly completed record with rare lyricism and timeless charm” Jazz Magazine and also defined by Citizen Jazz “a gem of pure music”. Since, the trio has been performing in various places in the European scene, including the famous “Bimhuis Jazz Club” in Amsterdam for a concert worthy of attention.
At the 2015 Diabetes World Summit, we stated that 387 million people in the world have diabetes. Over a year later, that number is now 415 million — that’s the equivalent of every single resident of the U.S., Germany and Bolivia having diabetes. By 2040, the IDF predicts this will reach 642 million…