Epidaurus were a mid seventies German progressive outfit formed around 1976. Their first album showed that they were firmly rooted in the early 70's progressive style of Yes, Pink Floyd and fellow German rockers, Eloy. This album were Symphonic rock at its best, with mellotron, lots of keyboards and a beautiful female voice. "Earthly Paradise" is a classic prog album, serving a mellifluous mélange of melodic Mellotron and Moog.
Essential: A masterpiece of progressive rock music collection.
EPIDAURUS were a mid seventies German progressive outfit formed around 1976, and uniquely featured two keyboard players, Gunther Henne and Gerd Linke, with vocalist Christiane Wand, bassist Heinz Kunert and drummers Manfred Struck and Volker Oehmig.
The film is the immediate continuation of Un éléphant ça trompe énormément, released the previous year. Having fortuitously discovered a photograph in which Marthe embraces someone unknown, clothed with a chequed jacket, Étienne Dorsay becomes jealous, and imagines various stratagems to identify the lover. In the meantime, Étienne and his friends acquire a weekend house for a very low price. As in the previous work, the film is largely narrated by the character Étienne, whose tone shifts with the reality of the images.
Gino Vannelli's musical creativity reached a high point in 1977 with the release of his fifth album "A Pauper In Paradise". Like his previous album, "Gist of The Gemini", "Pauper.." is high on dynamic musical arrangements and showcases Vannelli's vocals at their very best.
The story of "Epidaurus…endangered" starts at this moment when the production for "Earthly paradise" (1977) was finished: the original band members drift apart by several incidents in order to meet again and again in the following years. Finally, 17 years later, they re-form to play their music again, supported by some new musicians.
Two fine Jerry Lee Lewis albums from 1976 and 1977 The recordings produced the US Country hits ‘Come On In’, ‘Let’s Put It Back Together Again’ and ‘Middle Age Crazy’. Jerry Lee’s longtime relationship with Mercury Records and producer Jerry Kennedy was coming to an end at the time of these recordings, and Lewis was being affected by health problems. However, Kennedy coaxed performances from Lewis, resulting in these very successful albums. Digitally remastered and slipcased, and with extensive new notes.