A Posteriori is the sixth studio album by German musical project Enigma. In December 2006, the album was nominated in the Best New Age Album category in the 2007 Grammy Awards. Three years after the release of Voyageur, an album that took Enigma in a new direction, Michael Cretu took another step and released A Posteriori. This latin title is often used in philosophy where it describes what is essentially knowledge through experience (e.g. "after the fact"). In style the release shares more with Voyageur than the four first Enigma albums, but it has taken the approach of this new direction even further. The album introduces sort of a hybrid culture that lends itself to many different directions, but still revolves around a common point in a more straight-forward manner than before.
Voyageur is the fifth studio album by the German musical project Enigma and released in 2003. Voyageur was considered to be Enigma's most different album ever created, due to Enigma's drastic changes in sound as compared to the previous four albums. The project's signature shakuhachi flutes, Gregorian chants and tribal chants found on the earlier albums were all but gone on Voyageur.
Le Roi Est Mort, Vive Le Roi! was the third album released as part of Michael Cretu's Enigma project. It's style built on and extended the first two releases, offering a well-crafted album with mysterious sounds, original ideas, and philosophical lyrics. The title is French and translates to "The King Is Dead, Long Live The King", foreshadowing some of the texts contained within. The most recognized song from this release was Beyond The Invisible, though Michael Cretu has stated that his favorite track on the album is actually Morphing Thru Time.
THE CROSS OF CHANGES (ENIGMA 2) is the second studio album by the German musical project Enigma, headed by Romanian-German musician and producer Michael Cretu. The Cross Of Changes is a musical step forward but it nevertheless incorporates all of the instinctive elements that MCMXC a.D. does but in a completely new guise.
MCMXC a.D. ("1990" in Roman numerals followed by an abbreviation of Anno Domini) is the first studio album of the German music project Enigma, headed by Romanian-German musician Michael Cretu, released on 10 December 1990 on Virgin Records in the UK.
Reissue with the latest remastering. Comes with liner notes. A brilliant large ensemble work from Ornette Coleman – ambitious material recorded with full orchestra, in a haunting sound that's light years from any of his smaller group recordings of the 60s and 70s! There's an incredible feel to the strings used here – played by the London Symphony Orchestra, conducted by David Measham – all tied up and dark, with swirling sounds that run up beautifully from the bottom, then take off to the skies promised in the title – opening the door for Ornette to come in and solo freely over the top – in a magical mix that easily makes the record a standout in his long and mighty career!
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A beautiful big band set from the great Art Blakey – but one that's got all the sharp focus of his small group sides by the Jazz Messengers! The lineup here is a great one – that very vibrant early 80s version of Blakey's group with Bobby Watson on alto sax, Bill Pierce on tenor, and James Williams on piano – augmented by Kevin Eubanks on guitar, Valerie Ponomarev on trumpet, and the Marsalis brothers rounding out the set with some extra horn work! The sound is strong and proud, and handled by Blakey with a tightness that's similar to his smaller group work of the time – but with a power that's simply incredible – especially when Watson's presence is made known on his tunes "Wheel Within A Wheel", "Linwood", and "Bit A Bittadose". Also features a take on Williams' "Minor Thesis".
In the mid-'50s, guitarist Tal Farlow led one of his finest groups, a drumless trio with pianist Eddie Costa and bassist Vinnie Burke. The same band would record the album Tal a week or two later. With Burke contributing a constant walking bass, the interplay between Farlow and Costa is always exciting, whether they are playing unisons or trading off. This 1999 CD reissue not only has the original seven selections but "Gone With the Wind" (which was left off of the original LP due to lack of space) plus three full-length alternate takes that are basically on the same level as the masters. Among the highpoints are "Taking a Chance on Love," "Yardbird Suite," "Like Someone in Love," and Farlow's lone original, "Meteor," which utilizes the chord changes of "Confirmation." Hot bebop that is easily recommended.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Oh Baby is right – as the album's one of the best John Patton albums for Blue Note – a perfect mix of funky organ and burning hardbop! The tracks hare are all originals penned for the album – mostly by Patton, but also by other group members – the kind of fresh grooves that made John's organ work for Blue Note really stand out from the rest of the 60s Hammond generation – very creative stuff, with occasional modern touches, and a rhythmic conception that's not only unusual, but which also really lets the soloists stretch out on their grooves! Players include Harold Vick on tenor, Blue Mitchell on trumpet, Ben Dixon on drums, and Grant Green on guitar – and the album's about as sharp as you can get for a Blue Note organ session. Titles include "Fat Judy", "Each Time", "One To Twelve", and "Night Flight".
Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than usual for a jazz vocal date, and lots of room for jazz soloists that include Art Farmer on trumpet, Gigi Gryce on alto, and Hank Jones on piano.