Since winning the Silver Medal and the Krystian Zimerman Sonata award at the 2015 Chopin Piano Competition, Montreal and Quebec at large have been gaga – for good reason – over Charles Richard-Hamelin. Recorded live in concert this past May at Salle Raoul-Jobin of the Palais Montcalm in Quebec City, this album may begin conservatively with Beethoven’s Two Rondos for Piano, Op. 51, but takes a turn with George Enescu’s Second Suite, Op. 10. With the Enescu, Richard-Hamelin digresses from clinical Classicism into the Romanian composer’s grandiose late-Romantic chromaticism. Even in a live recording, Richard-Hamelin shows not only acute elegance and poise, but extreme precision and a heightened emotional sensibility.
This newest release from BR KLASSIK explores the genre of the 19th and 20th century Rhapsody, featuring works from masterful composers Emmanuel Chabrier, George Gershwin, George Enesecu, Maurice Ravel, and Franz Liszt. The concert-like atmosphere of this recording makes this a truly unique release, as these works were recorded live in Munich as recently as October 2015. The five rhapsodies featured here come from different regions and the composers unique styles can be heard in each of their works. Chabriers Espana is centered around Iberian and folk music which was very popular at the time. Liszts Hungarian Rhapsody contrasts this work with its use of Hungarian folk melodies. The ever-popular Rhapsody in Blue from George Gershwin throws Americana into the mix with its blues roots. Mariss Jansons and the Symphonieorchester des Bayerischen Rundfunks never fails to please with their brilliant interpretations and performance quality. World-renowned Russian pianist Denis Matusev is brilliant as the Rhapsody in Blue soloist.
George Enescu was an extraordinarily gifted and well-rounded musician: a virtuoso violinist, a world-class conductor, an outstanding pianist, cellist, and organist – even a fine baritone. He was hugely admired by many great musicians of his time, including the cellist and conductor Pablo Casals who described him as ‘the greatest musical phenomenon since Mozart’.
The viola works on this recording fuse lyricism with virtuosity, and sometimes invoke folkloric moments as well as more rhapsodic flights. Martinů’s 1955 Sonata plays on elements of folk music and rhapsody, as well as a toccata-like intensity and a pervasive feeling of nostalgia. Kodály’s Adagio is an early work, highly expressive and richly romantic, whilst his compatriot Dohnányi wrote a Sonata of mature distinction, employing variations and transformed themes to magical effect. Joachim, upholder of the German violin school, also composed, and in his Hebrew Melodies crafts great pathos, whilst Enescu’s Concertstück fuses the lyrical with the dashing, as befits a competition test piece.
The complete Works for Violin and Piano of George Enescu - The Romanian musicians Remus Azoitei and Eduard Stan interpret the Works of Enescu with intuitional understanding for his multifaceted music - Including the famous 3rd sonata op.25 dans le caractère populaire roumain - No need to look any further: this is a first-rate collection."" Gramophone Of all of Enescu's works for violin and piano, the 3rd Sonata Op. 25 ""dans le caractère roumain populaire"" (""in Romanian folk character"" ) composed in 1926 is the most famous and stands roughly in the center of his work for these instruments. In addition to the two other sonatas, a dramatic sonata torso in A Minor, the ""Impressions d' enfance"" and some smaller works have survived.
Featuring the first recording of two works by George Enescu – the String Octet, Op. 7, and the Piano Quintet, Op. 29 – this album introduces the listener to the fascinating, multifaceted, and intriguing world of the Romanian master's chamber music. Enescu's music is expertly performed by members of the extraordinary KREMERata BALTICA under the direction of Gidon Kremer, who plays first violin in both pieces. Kremer wisely chose the music, for the two …..Zoran Minderovic @ AllMusic.com
The premiere of Enescu's Poème roumain, Op. 1, was the first of many triumphs for the 16-year-old composer, who had been studying in Paris with Massenet and Fauré since 1890. Edouard Colonne conducted the first performance at Théâtre du Chatelet, and the work's Romantic evocation of the Romanian national character caught the imagination of the sophisticated Parisian audience to the extent that Enescu would thereafter always be well received in that hard-to-please city…..