When Elvis returns to play before a paying audience in late July 1969, after a eight year, four month layoff to make Hollywood movies, he does so with a vengence. The shows taped in August 1969 capture a 33 year old legend who wishes to remind his audience that the fire still burns…
Reissue with latest remastering. Comes with new liner notes. This cd is the second of 2 put out to chronicle Miles' stay at the Blackhawk in San Francisco in 1961. After a period of transition which included the sometimes uneven results of the "Someday My Prince Will Come" lp, Miles' working band of Hank Mobley on tenor sax, Wynton Kelly on piano, Paul Chambers, bass, and drummer Jimmy Cobb, were coming together as a tight unit. Both dates of the Blackhawk shows are prime examples of the greatness of this working group.
Reissue with latest remastering. Comes with new liner notes. The first of two sets recorded during a weekend in 1961 features the Miles Davis Quintet at a period of time when Hank Mobley was on tenor and the rhythm section was comprised of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. What is most remarkable is the way Kelly fits into this particular blend of the Miles band. Kelly's interplay with Chambers is especially brilliant, because his sense of blues phrasing inside counterpoint harmony is edgy and large, with left-hand chords in the middle register rather than sharp right-hand runs to accentuate choruses.
One of the most persistent questions that musicians ask themselves while practicing a piece is the inevitable query of how the composer himself might have performed his music. There are many written reports on how the old masters such as Bach, Mozart, and Beethoven may have played or improvised; and there are lines of teacher/pupil relationships which can trace their lineage back to the pianistic greats such as Liszt, but still we have to imagine the sound since we cannot actually hear it.
One-half of the imponderably titled From Memphis to Vegas/From Vegas to Memphis (later issued as a separate album, Elvis in Person at the International Hotel, Las Vegas, Nevada), captures Elvis from the summer of 1969, while the exhilaration of conquest was still evident. It's a nice compromise between mere entertainment and the revelatory: The first few songs are old hits to pull you in; the second side opens with a roaring medley of "Mystery Train" and Rufus Thomas's "Tiger Man" and leads to a staggering seven-minute "Suspicious Minds." The studio album, ten tracks from the previous Memphis sessions, are a letdown and, even at the time of release, the two-fer concept seemed ill conceived.
This 60th Anniversary 60-CD Deluxe Edition celebrates RCA Victor's signing of Elvis Presley-The King of rock 'n' roll. Features all of the albums Elvis recorded and RCA released in his lifetime: studio, soundtrack, and live. It also includes compilations released that featured unreleased songs or songs new to the LP format.
To commemorate the 40th anniversary of Elvis Presley's engrossing On Stage album, the fine folks at Legacy Recordings have reissued it as a double-disc set that captures him in Las Vegas at a critical point in his career. Presley had spent most of the 1960s making unmemorable movies but the famed '68 Comeback Special brought him an enormous television audience. Listening to On Stage, as well as the additional reissue of Elvis in Person, it's clear that Presley gave this engagement his best shot. "The Wonder of You," a vocal tour de force, originally came from On Stage, but I had never heard his lively rendition of Neil Diamond's "Sweet Caroline." I wouldn't have thought that would work, but now I'm a believer.