Inspired by the rural beauty of the surroundings at his country retreat in 1917, Edward Elgar embarked on the composition of some of his most inspired and imaginative chamber works.
Einar Englund's music might not be as deeply original as that of his elder countryman Sibelius, but it is wonderful, beautifully made music nonetheless. The Piano Quintet dates from 1941. It was Englund's graduation exercise, and it attracted the favorable attention of Sibelius himself. Already you can hear the qualities that characterize all of Englund's music: the late-Romantic, Russian-leaning sound of Shostakovich and Prokofiev, the clean lines, tight formal control, and memorable melodic ideas.
This disc contains the premiere recording of Respighi's String Quartet in D minor. The Ambache, a group of between three and thirty musicians, was formed in 1984 by Diana Ambache, one of the few women in Britain to found and direct her own classical chamber orchestra. The group performs regularly at major London venues and festivals and has toured America and the Far East, with appearances on television in Hong Kong and Korea. Recorded in: St Michael's Church, Highgate, London 14-16 November 2000 Producer(s) Rachel Smith Sound Engineer(s) Jonathan Cooper.
Athens-born and Munich-based composer Konstantia Gourzi makes her ECM New Series label debut. “What historical voices commingle in the current idiom of a composer whose cultural roots lie in the birthplace of rhetoric, but who emigrated to take a musical apprenticeship in European constructivism?” asks Ingrid Allwardt in the liner notes.
This is the sixth recording by the Doric String Quartet for Chandos Records, and the discography is going from strength to strength. The disc of Schumann’s String Quartets, Op. 41 was ‘Recording of the Month’ simultaneously in BBC Music and Gramophone, and nominated for a Gramophone Award in the Chamber Music category in 2012.
Performing Arensky's First and Second string quartets, along with the Piano Quintet, is the Ying Quartet. This ensemble's playing is characterized by a surprisingly precise, consistent uniformity of sound and exactness of articulation, making it seem as if a single instrument were playing as opposed to four independent parts. All aspects of their technical execution are polished and refined, which only enhances their equally enjoyable musical effusiveness, rich, deep tone, and understanding of Arensky's scores that casts them in the best possible light. This level of integrity continues …..Mike D. Brownell @ AllMusic