Elgar Enigma Variations, In The South, Pomp And Circumstance March

Elgar - Enigma Variations, In the South (Alassio), Pomp & Circumstances March No.4 (1994) [RPO, Yehudi Menuhin]

Edward Elgar - Enigma Variations, Op. 36, In the South (Alassio), Op. 50, Pomp & Circumstances March No.4 in G Op. 39 (1994)
Royal Philharmonic Orchestra, conducted by Yehudi Menuhin

EAC | FLAC | Image (Cue&Log) ~ 297 Mb (incl 5%) | Mp3 (CBR320) ~ 162 Mb (incl 5%) | Scans included
Genre: Classical | Label: Centurion Music Ltd. | # 204418-201 | Time: 00:59:23

Royal PO's performance is outstanding in many ways. Menuhin has deep understanding of Elgar's music and its innermost yearning. Every movement displays his genuine affinity with the inspiration and characterisation of the music. Tempi are perfectly judged throughout, the famous 9th variation Nimrod, for example, is neither too fast nor too slow, achieving maximum grandeur and dramatic effect without losing forward momentum. The fast variations are bursting with energy and verve, the slow variations are played with amazing subtlely and heart warming intimacy. The additional organ in the last variation amplifies the scale of the monumental finale.
Paul Daniel and English Northern Philharmonia - Rule Britannia And Other Music From Last Night Of The Proms (1998)

Paul Daniel and English Northern Philharmonia - Rule Britannia And Other Music From Last Night Of The Proms (1998)
EAC Rip | FLAC (tracks+.cue, log) | Covers | 249 mb | MP3 CBR 320kbps | RAR | 127 mb
Classical, Romantic, Modern | Label: Naxos - 8.553981

Great Britain’s famous Proms concerts usually end with a program that is British to the core, featuring many favorites that English audiences expect in the same way that Viennese audiences expect their Radetzky March on New Year’s. Let’s make this clear, then, from the start. This is not an actual Proms performance but a studio recording of music that is usually heard at that event. It is English to the core; about four tracks in, you’ll feel like you should be saluting as the Queen passes by.
Edward Elgar : Cello Concerto - Enigma Variations -Serenade - Mischa Maisky - Philharmonia Orchestra - Giuseppe Sinopoli

Edward Elgar : Cello Concerto op.85 - Enigma Variations op.35 - Serenade op.20
Mischa Maisky - Philharmonia Orchestra - Giuseppe Sinopoli

Unknown Rip | APE tracks (No Cue+No Log) | Complete Scans | 77 min. | 288 MB
19th Century Music | 20th Century Music | Orchestral Music | Deutsche Grammophon 445 511-2 | 1995

Edward Elgar (1857 – 1934) was an English composer, many of whose works have achieved enduring popularity. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies.
Paradigms and Theories Influencing Policies in the South African and International Water Sectors

Paradigms and Theories Influencing Policies in the South African and International Water Sectors: PULSE³, A Framework for Policy Analysis by Richard Meissner
English | 2017 | ISBN: 3319485466 | 251 Pages | PDF | 6.4 MB

This book presents a new way of looking at and analyzing policies, programs and/or plans in which research scientists have used their knowledge to develop mechanisms such as South Africa's National Water Resource Strategy, Second Edition; Australian and South African climate change adaptation strategies for government entities and the UNDP's Water and Ocean Governance focus area.
New Perspectives on Language Variety in the South: Historical and Contemporary Approaches, 2 edition

New Perspectives on Language Variety in the South: Historical and Contemporary Approaches, 2 edition by Michael D. Picone and Catherine Evans Davies
English | 2015 | ISBN: 0817318151 | 824 pages | PDF | 5,5 MB
Edward Elgar: Symphony No. 1 • Pomp and Circumstance March No. 5 - Bernard Haitink, Philharmonia Orchestra (1983)

Edward Elgar: Symphony No. 1 in A flat, Op. 55 • Pomp and Circumstance March No. 5, Op. 39
Bernard Haitink, Philharmonia Orchestra

XLD | FLAC (tracks) | No Log/cue-sheet | Coverart Embedded & High-def JPEG | ~275 Mb
Philharmonia Orchestra, Giuseppe Sinopoli - Elgar: Symphonies No.1 & No.2, Pomp and Circumstance, In the South (1996)

Philharmonia Orchestra, Giuseppe Sinopoli - Elgar: Symphonies No.1 & No.2, Pomp and Circumstance, In the South (1996)
EAC | FLAC (image+.cue, log) | Covers Included | 02:36:23 | 699 MB
Genre: Classical | Label: Deutsche Grommophon | Catalog: 453 103-2

Elgar's two symphonies are good example of interpretations of music being stuck thanks to the strange British conservatism. If you listen to 10 recordings of these symphonies by 10 British conductors, they all sound more or less same in terms of interpretation: controlled, noble, beautiful Elgarian rubato and so on.
Edward Elgar - Cello Concerto, 'Enigma' Variations, 'Pomp and Circumstance' (2012) [Mischa Maisky, Giuseppe Sinopoli]

Edward Elgar - Cello Concerto, 'Enigma' Variations, 'Pomp and Circumstance' (2012)
Mischa Maisky, cello; Philharmonia Orchestra, conducted by Giuseppe Sinopoli

EAC | FLAC | Image (Cue&Log) ~ 344 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 478 3619 GB | Time: 01:14:33

Enigma Variations is the work that secured Elgars reputation as a composer of international significance. The 14 variations are all character portraits of friends, including his wife and the composer himself, the most famous being the ninth, the achingly nostalgic Nimrod. The Cello Concerto is Elgars last substantial work and has become not only one of his best loved, but also one of the most popular concertos ever written for the instrument.
Orchestre Symphonique De Montreal, Charles Dutoit - Sir Edward Elgar: Enigma Variations; Falstaff (1991)

Sir Edward Elgar: Enigma Variations; Falstaff (1991)
Orchestre Symphonique De Montréal; Charles Dutoit, conductor

EAC | FLAC | Image (Cue&Log) ~ 248 Mb | Mp3 (CBR320) ~ 153 Mb | Scans included
Genre: Classical | Label: Decca | # 430 241-2 | Time: 01:03:23

A trim, at times, almost balletic Falstaff. If that seems a ludicrous contradiction, I should explain that it refers to Dutoit's spirited interpretation of the work, not the central character, though Falstaff himself has shed a few pounds in the process but is no less loveable. Indeed, Dutoit's swift tempo for the second section (at the Boar's Head) has the theme for Falstaff's 'cheerful look and pleasing eye' sounding less like Tovey's understandable misunderstanding of it as ''blown up like a bladder with sighing and grief''. The trimming down process is abetted by the Montreal sound, with lean, agile strings and incisive brass (the horns are magnificent). Some may feel a lack of warmth in the characterization. I certainly felt that the first presentation of Prince Harry's theme (0'40'') could have done with a richer string sonority. Doubtless, too, there will be collectors who, at moments, miss the generous humanity of Barbirolli, or the Straussian brilliance of Solti. And although Mackerras is wonderful in the dream interludes and Falstaff's death, the start of his fourth section, with Falstaff's rush to London only to be rejected by the new King, is short on teeming excitement and anticipation. (Gramophone)
BBC Scottish Symphony Orchestra, Martyn Brabbins - Elgar: Enigma Variations (2016) [Official Digital Download 24/96]

BBC Scottish Symphony Orchestra, Martyn Brabbins - Elgar: Enigma Variations (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 81:43 minutes | 1.40 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Two much-loved orchestral favourites representing the summit of Elgar’s maturity are coupled with three of the lesser-known wartime works, here receiving their first recordings with the original French texts. Kate Royal is the soprano soloist in Une voix dans le désert, a hauntingly tender masterpiece which every Elgarian should know.