Elgar Cello Concerto Enigma Variations

Edward Elgar - Cello Concerto, 'Enigma' Variations, 'Pomp and Circumstance' (2012) [Mischa Maisky, Giuseppe Sinopoli]

Edward Elgar - Cello Concerto, 'Enigma' Variations, 'Pomp and Circumstance' (2012)
Mischa Maisky, cello; Philharmonia Orchestra, conducted by Giuseppe Sinopoli

EAC | FLAC | Image (Cue&Log) ~ 344 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 478 3619 GB | Time: 01:14:33

Enigma Variations is the work that secured Elgars reputation as a composer of international significance. The 14 variations are all character portraits of friends, including his wife and the composer himself, the most famous being the ninth, the achingly nostalgic Nimrod. The Cello Concerto is Elgars last substantial work and has become not only one of his best loved, but also one of the most popular concertos ever written for the instrument.
Edward Elgar - Cello Concerto, Enigma Variations, Introduction and Allegro, Elegy (1991) [Repost, New Rip]

Edward Elgar - Cello Concerto, Enigma Variations, Introduction and Allegro, Elegy (1991)
Hallé Orchestra, conducted by Sir John Barbirolli; André Navarra, cello

EAC | FLAC | Image (Cue&Log) ~ 365 Mb (incl 5%) | Mp3 (CBR320) ~ 183 Mb (incl 5%) | Scans included
Genre: Classical | Label: EMI | # CDM 7639552 | Time: 01:13:08

Barbirolli made later recordings of all the works on this CD and these have become cornerstones of the catalogue. These are earlier recordings that he did with his own orchestra, the Halle, in the 1950s. To start with, the recording quality is pretty amazing. They were recorded on 35mm film tape rather than half inch recording tape by the Mercury team and have astonishing immediacy and amazingly lifelike. Barbirolli uses an organ in the finale of the Enigma Variations. The recording is a little bass heavy but this is a small caveat. For people who consider Barbirolli to be a bit indulgent as a conductor, these recordings may come as a surprise. The performances are very direct and nicely flowing. They therefore complement rather than compete with the later recordings. Of course, Barbirolli's later recording of the Cello Concerto with Jacqueline du Pre is a very famous and special rendition of the work. However, it is not without its detractors. Andre Navarra, by contrast, plays with golden tone. He plays gorgeously. Highly recommended.
Edward Elgar : Cello Concerto - Enigma Variations -Serenade - Mischa Maisky - Philharmonia Orchestra - Giuseppe Sinopoli

Edward Elgar : Cello Concerto op.85 - Enigma Variations op.35 - Serenade op.20
Mischa Maisky - Philharmonia Orchestra - Giuseppe Sinopoli

Unknown Rip | APE tracks (No Cue+No Log) | Complete Scans | 77 min. | 288 MB
19th Century Music | 20th Century Music | Orchestral Music | Deutsche Grammophon 445 511-2 | 1995

Edward Elgar (1857 – 1934) was an English composer, many of whose works have achieved enduring popularity. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies.

Elgar - Cello Concerto, Enigma Variations - Navarra, Barbirolli (1956)  Music

Posted by tropical_penguin at Nov. 7, 2009
Elgar - Cello Concerto, Enigma Variations - Navarra, Barbirolli (1956)

Elgar - Cello Concerto, Enigma Variations - Navarra, Barbirolli (1956)
EAC FLAC + CUE, Log, Scans | 332 MB
Classical | EMI, rec. 1956, rel. 1991 | RAR 1% Recovery | RS.com
André Navarra, cello | John Barbirolli, Hallé Orchestra

Jacqueline du Pre, Daniel Barenboim - Elgar: Cello Concerto, "Enigma" Variations (2004)

Jacqueline du Pre, Daniel Barenboim - Elgar: Cello Concerto, "Enigma" Variations (2004)
MP3 (CBR 320 kbps) | 01:12:58 | 175 MB
Genre: Classical | Label: Sony Classical

Why has one piece of music here, the Elgar Cello Concerto played by Jacqueline DuPre become so legendary? Of course it is the music itself. It has an overpowerful haunting deeply hypnotic feeling. Elgar wrote it after his recovery from a serious illness towards the end of the First War, and his thoughts were certainly on the suffering of life, and the inevitability of death. Du Pre brings to the piece not only her great mastery as cellist, but some deeper element of feeling. There is in the playing a sense of romantic abandoment of wild disturbance, and of intense and even ferious concentration.
Orchestre Symphonique De Montreal, Charles Dutoit - Sir Edward Elgar: Enigma Variations; Falstaff (1991)

Sir Edward Elgar: Enigma Variations; Falstaff (1991)
Orchestre Symphonique De Montréal; Charles Dutoit, conductor

EAC | FLAC | Image (Cue&Log) ~ 248 Mb | Mp3 (CBR320) ~ 153 Mb | Scans included
Genre: Classical | Label: Decca | # 430 241-2 | Time: 01:03:23

A trim, at times, almost balletic Falstaff. If that seems a ludicrous contradiction, I should explain that it refers to Dutoit's spirited interpretation of the work, not the central character, though Falstaff himself has shed a few pounds in the process but is no less loveable. Indeed, Dutoit's swift tempo for the second section (at the Boar's Head) has the theme for Falstaff's 'cheerful look and pleasing eye' sounding less like Tovey's understandable misunderstanding of it as ''blown up like a bladder with sighing and grief''. The trimming down process is abetted by the Montreal sound, with lean, agile strings and incisive brass (the horns are magnificent). Some may feel a lack of warmth in the characterization. I certainly felt that the first presentation of Prince Harry's theme (0'40'') could have done with a richer string sonority. Doubtless, too, there will be collectors who, at moments, miss the generous humanity of Barbirolli, or the Straussian brilliance of Solti. And although Mackerras is wonderful in the dream interludes and Falstaff's death, the start of his fourth section, with Falstaff's rush to London only to be rejected by the new King, is short on teeming excitement and anticipation. (Gramophone)
William Boughton, ESO - Edward Elgar: Enigma Variations, Cockaigne and Froissart Overtures (1989)

Edward Elgar - Enigma Variations, Cockaigne and Froissart Overtures (1989)
English Symphony Orchestra, conducted by William Boughton

EAC | FLAC | Image (Cue&Log) ~ 240 Mb (incl 5%) | Mp3 (CBR320) ~ 165 Mb (incl 5%) | Scans included
Genre: Classical | Label: Nimbus Records | # NI 5206 | Time: 01:00:26

There are basically two ways in which conductors may approach the Enigma Variations. Either they can take the music at its face value, treating the set of variations as a symphonically developed whole; or they can treat the work as a series of miniature character sketches of Elgar’s “friends pictured within”, highlighting the personalities of the miscellaneous collection of individuals involved. William Boughton in this reading opts for the second option, and the result bubbles with life.
Sir Georg Solti - Kodaly: The Peacock Variations; Blacher: Paganini Variations; Elgar: Enigma Variations (1997)

Zoltán Kodály - The Peacock Variations, Boris Blacher - Paganini Variations, Edward Elgar - Enigma Variations (1997)
Vienna Philharmonic Orchestra, conducted by Sir Georg Solti

EAC | FLAC | Image (Cue&Log) ~ 317 Mb (incl 5%) | Mp3 (CBR320) ~ 187 Mb (incl 5%) | Scans included
Genre: Classical | Label: London/Decca | # 452 853-2 | Time: 01:07:41

Celebrating his half-century as a Decca artist, as well as his eighty-fifth birthday, Sir Georg Solti here offers a nicely autobiographical collection of three sets of variations: the Peacock Variations of Kodaly representing his Hungarian roots, the lively Paganini Variations of Blacher a recognition of his years as German citizen, and finally a tribute to his unique Britishness in Elgar's Enigma Variations. The disc is also a tribute to the Vienna Philharmonic and Solti's special relationship with that orchestra, with whom he recorded these live performances in the Musikverein last April. You have only to compare this warmly expressive, subtly nuanced, and deeply felt account of the Elgar with Solti's earlier Chicago version of 1974 to appreciate not only the quality of this great Viennese orchestra, but the way in which Solti has mellowed over the last two decades.
Marie-Elisabeth Hecker, Antwerp Symphony Orchestra & Edo de Waart - Elgar: Cello Concerto & Piano Quintet (2018) [24/48]

Marie-Elisabeth Hecker, Antwerp Symphony Orchestra & Edo de Waart - Elgar: Cello Concerto & Piano Quintet (2018)
FLAC (tracks) 24-bit/48 kHz | Time - 69:57 minutes | 678 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

After making several discs of chamber music by Brahms and Schubert, the cellist Marie-Elisabeth Hecker now records a large-scale concerto, showing the full range of her talent. Composed between 1918 and 1919, Elgar’s Concerto Op.85 was poorly received at its first performance but has since become established as one of the key works in the cello repertoire.
Marie-Elisabeth Hecker, Antwerp Symphony Orchestra & Edo de Waart - Elgar: Cello Concerto & Piano Quintet (2018)

Marie-Elisabeth Hecker, Antwerp Symphony Orchestra & Edo de Waart - Elgar: Cello Concerto & Piano Quintet (2018)
Classical | WEB FLAC (tracks) & d. booklet | 293 MB
Label: Alpha | Tracks: 08 | Time: 69:57 min

After making several discs of chamber music by Brahms and Schubert, the cellist Marie-Elisabeth Hecker now records a large-scale concerto, showing the full range of her talent. Composed between 1918 and 1919, Elgar’s Concerto Op.85 was poorly received at its first performance but has since become established as one of the key works in the cello repertoire. To complete the programme, Marie-Elisabeth Hecker rejoins her chamber music partners, the violinists Carolin Widmann and David McCarroll, the violist Pauline Sachse and the pianist Martin Helmchen, in Elgar’s Piano Quintet, composed at the same time as the Concerto and premiered in London in 1919.