Sphere's six track release FOUR IN ONE, performed by a group of Thelonious Monk's former accompanists and friends including Charlie Rouse, Kenny Baron, and Ben Riley, was recorded on the day of the incomparable jazz legend's death.
In the fashion of bands like Boz Scaggs, this album runs the gamut from soft rock to rockers to the etherial. With great musicians behind him (especially the very underrated Richie Zito) Marc Tanner has put out a classic album that hardly anybody has ever heard or even heard of.
Gilberto Gil spent much of the 1970s recording at home in Brazil and had one recording issued in America during that time. His first English-speaking record (which was simply self-titled) was issued by Phillips worldwide and briefly by Paramount in the United States. He signed to WEA International in 1977. This album is the first result of that pairing. Nightingale was recorded in Los Angeles with Sergio Mendes, Alex Acuna, Oscasr Castro Neves, and some crack American studio talent that included Don Gruisin and Michael Sembello.
In the decade since releasing his 2006 debut, Brent Cobb also emerged as a Music Row songwriter, landing songs with high-profile artists like Luke Bryan, Miranda Lambert, and Kenny Chesney, among others. His move into the Nashville establishment may have brought his career some well-deserved success, but as an artist, his heart remained rooted in the Deep South of his hometown, Ellaville, Georgia. Produced by Brent's cousin Dave Cobb (Shooter Jennings, Sturgill Simpson) at his Low Country Sound studio, Shine on Rainy Day is personal and soulful, with little of contemporary country's gloss and a stripped-down, earthy poeticism that some have likened to Kris Kristofferson's early albums.
This is such an awesome and unique album. Linda recorded this music right after she adopted a child. The love and tenderness of these amazing songs is so refreshing. Queen's "We Will Rock You" is done in a way you would never imagine. You can hear the heartbeat, almost as if you were inside the womb and listening to your own mother's heartbeat. It's just simply amazing. All of the songs a beautiful and Linda's incomparable voice is exquisite.
Master of the Art is the studio companion to the album Night Music, also reissued on Wounded Bird records from the original Elektra Musician masters, with the same band as on the live date, but with completely different songs and a short interview from the trumpeter. At a time when Shaw was one of the most consistently brilliant trumpeter's of the modern era, this effort did nothing to hurt that estimable reputation. Vibraphonist Bobby Hutcherson and trombonist Steve Turre being on the front line made for an arresting sound, while the emerging pianist Mulgrew Miller was asserting himself as a major force, with drummer Stafford James and drummer Tony Reedus sounding like they had worked together for decades. The four tracks include here are quite lengthy, allowing for stretched melody lines and beefy solos, showing the inventiveness and stamina of this mighty sextet.
Jazz trumpeter Donald Byrd’s critically acclaimed career and life have assured the Detroit native his rightful place as one of the most respected musicians of the 20th century. Having successfully transitioned to Jazz Fusion in the 1970s under the guidance of the Mizell brothers, creating four albums on Blue Note records including the highly influential Places and Spaces, Byrd continued to explore the fertile possibilities of Fusion with four more albums recorded for Elektra Records between 1978 and 1982.