Edward Watson takes the role of Crown Prince Rudolf in Kenneth MacMillan's compelling ballet, which lives out the final eight years of Rudolf's life and its relentless downward spiral of political intrigue, drugs and murder. The ballet culminates with a suicide pact at a hunting lodge between Rudolf and his 17-year-old mistress, Mary Vetsera. “…while Mara Galeazzi as Mary Vetsera nearly stole the show with her natural conviction, exuberance and authoritative technique, the evening belonged to Watson as Rudolf, one of the most challenging male roles ever created.” Sunday Express
Artistic Associate Christopher Wheeldon draws on the same music and design team used for the popular production of Alice's Adventures in Wonderland to create an evocative reimagining of The Winter's Tale, Shakespeare's enduring story of jealousy, compassion and forgiveness.
Guiomar Novaes was a notable pianist. Her style was characterized for a sense of the tonal color as few pianist have been able to have it. This recording is fundamental for you , because the Grieg Concert is played with majesty and avoiding the inherent sentimentalism in which the most of the pianists fail. She knew how to get the involving sound , avoiding the excess of sensibility so typical of the romanticism movement. She turns the melody in a sugerent and impresionist portrait, giving a natural gaze not a picture museum gaze. That is why her Mendelssohn's songs without words have no equal rivals. Try to find it.
Piggybacking on 1992’s Invisible Storm, ECM maverick Edward Vesala returned with his organic collective, Sound & Fury, as our guide for Nordic Gallery. Vesala draws a thinner circle around his ensemble this time around, weaving inside it a dreamcatcher for communal freedom, as exemplified in the 11-minute “Bird In The High Room,” a menagerie of cymbals, muted horns, drums, and birdsong.
The Franco-Flemish composer, Johannes Ockeghem, sang at Antwerp at the Bourbon court before joining the French royal chapel in 1451. Ockeghem spent most of his professional life at the French chapel and his output was quite prolific. He composed 14 settings of the Mass, including one of the earliest polyphonic versions of the Requiem. Ockeghem also composed numerous motets and secular songs. He was one of the most original voices in early Renaissance polyphony and his music dazzles with its ingenuity and beauty.