Columbia/Legacy's 2001 release The Best of Eddie Money supplants the earlier 1989 collection Greatest Hits: The Sound of Money as the best overview of Money's career. Again, it's not sequenced chronologically, nor is it as tight as it should have been (Money is somebody who would really sound terrific on an eight- or ten-song collection), but it's very good all the same, containing all of his big hits, plus live versions of "Rock and Roll the Place" and "No Control" previously only available on a promo EP. So, even if it's not perfect, it will still satisfy the needs of most Money fans.
The Blues Masters series, much to Rhino`s credit, adopts an expansive definition of blues, allowing the likes of Count Basie, Blind Lemon Jefferson, Muddy Waters and even Louis Prima admission. There is none of the purist`s quibbling over strict 12-bar form or the relative significance of prewar and postwar styles.
What Rhino delivers instead is the blues in all its myriad guises. This music is old and new, black and white, acoustic and electric, folksy and jazzy, performed by women and men, and yet it is all still blues at its core.
Eddie Money was always reliable for turning out a hit single or radio anthem on each of his records. Often, it felt like all of his energy went into a couple of songs per album, since the remainder of each record, while frequently enjoyable, was cluttered with filler. Which is a roundabout way of saying what a welcome addition Greatest Hits: The Sound of Money is to Money's catalog…
Silva Screen Records present earlier composers who were masters of music on Hitchcock films, and later films with Bernard Herrmann on the second CD. The "CONCERTO FOR ORCHESTRA" is Miklos Rozsa's haunting theme which lasts over nine minutes is something from heaven. "STRANGERS ON THE TRAIN" the Dimitri Tiomkin contribution is also an outstanding track which can move the unmoveable with the heart-racing pounding sounds that the two composers generate. Both composers Rozsa and Tiomkin have a list of accomplishments a mile long, but to hear their music on a Hitchcock film is pure geneious in film making and scoring.