On her new album, cello superstar Sol Gabetta teams up with one of the best young artists, French pianist Bertrand Chamayou. Gabetta and Chamayou have played together on many occasions and quickly became both friends and artistic partners. They collaborated on the album concept and will tour this repertoire in Europe throughout 2015. The Chopin Album contains a selection of pieces by well-loved composer Frédéric Chopin (1810-1849) as well as music by his close friend, the composer and cellist Auguste-Joseph Franchomme (1808-1884).
Los Prisioneros was maybe one of the most important and seminal Chilean Rock Punk Pop bands in Latin America.
As a composer Pergolesi’s productive career began at the age of twenty, and by twenty-six (March 1736) he had died of tuberculosis. During his lifetime Pergolesi’s fame was restricted, in the main, to Rome and Naples, yet after his death, his reputation eclipsed most other composers in the second half of the eighteenth century. The whole of Europe developed an increasing curiosity for his compositions. His posthumous celebrity status was such a magnet in the music world that, hoping to reap large financial profits, publishers and opera directors alike attributed his name to hundreds of vocal and instrumental works by lesser-known composers. Following Pergolesi’s death the Stabat Mater became one of the most celebrated and frequently printed works of the 18th century.
While David Linx's name may not be writ large here in the States, the fifty-one year-old singer, composer and multi-instrumentalist is a mega-star in his native Belgium, and in 2005 was named Best Jazz Musician in Europe, which covers a whole lot of territory. On Brel, Linx sings music composed by his Belgian forerunner, the late and legendary Jacques Brel, accompanied by the world-class Brussels Jazz Orchestra (whose personnel are not listed on the bare-bones promotional copy save for saxophonist / music director Frank Vaganee).
The Dubliners were instrumental in popularising Irish folk music in Europe, though they did not quite surpass the popularity of The Clancy Brothers and Tommy Makem in the United States.
1985's Macalla is one of Clannad's strongest albums. The songs are mainly mid-tempo or slower, and combine the poignant beauty of Irish balladry with the immediacy of a rock band line-up.
Essential: a masterpiece of progressive-rock music.
As Nice As Mother Makes It
After two very robust but patchy albums the Nice adopted a slightly different approach to their third by exploiting a half live/half studio hybrid. They felt that this (on the advice of their new manager Tony Stratton-Smith) would showcase the 'best of both worlds' as the studio precedents were not felt to do justice to their live performances.
Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
Excellent addition to any prog-rock music collection.
It is not possible to overestimate the Nice's importance to Progressive Rock. In their moment, they were prog and if the eye-opening debut Thoughts of Emerlist Davjack didn't show that, this dazzling follow-up did. Sure they're so old and dated you'd never put them on unless alone in the house.
Another fundamental brick in the prog-rock music wall.
This band started its career by doing artistic cover versions from tunes composed by other people, and this third album presents their own matured composing skills. Earlier "The Beat Goes On" was more like an abstract artsy tryout when compared to this masterpiece in my opinion. The most dominant elements are still the strong organ chord layers, powerful vocal harmonies and very strong emotional load, resembling a state of religious pathos.