Perfil - Djavan e um album do cantor, compositor e musico brasileiro Djavan, lancado pela Som Livre em 2006 dentro da serie Perfil. O album sucessos do artista, como "Fato Consumado" e "Flor de Lis", de A Voz, A Musica e O Violao, album de estreia do cantor, alem de varios outros como "Lilas", "Acai", "Meu Bem Querer" e "Seduzir" de albuns da decada de 1980; "Se", "Eu te Devoro" e "Acelerou", de albuns da decada de 1990 e "Se Acontecer" e "Milagreiro" da decada de 2000, alem de regravacoes de "Gostoso Veneno" e "Drao".
Live CD of this very good symphonic band from Brazil. It is their first with the new line up that includes another keyboards player and a new singer. The sound is very much 70´s keyboards driven prog music not much unlike ELP (of course), Triumvirat and others. Actually most of the time the band reeks of 70´s music in both musical and lyrical fields. So much one wonders if this record was a reissue of some long lost live recording of that era, even in some instruments timbres (like the Ovation acoustic guitar). Fortunatly the recording quality and overall sound is very modern. Production is crystaline and you can hear each instrument perfectly.
One of the great decade-long singles runs is straightforwardly documented on Respect M.E., a compilation distributed throughout Europe and, unfortunately, not released in the States. From 1997 through 2006, Missy Elliott's work – often the product of a partnership with producer Timbaland – was in steady rotation on the radio and on video programs. Nearly every time out, she came up with something fun, inventive, out of this world, and lasting, charting alternate paths for pop music while also projecting the image of a fully empowered plus-size woman in a mainstream populated by females who tended to be anything but. Although each one of Elliott's albums is well worth owning, nothing can deny the need for this release, which includes almost every noteworthy track she released during the period, from "The Rain (Supa Dupa Fly)" through the underappreciated "Teary Eyed." The most significant omissions are "Lick Shots" and "Take Away": hardly deal breakers. An ideal companion release would contain the hits Elliott wrote and/or produced for other artists, such as Aaliyah's "One in a Million," SWV's "Save Me," 702's "Where My Girls At," Nicole's "Make It Hot," Total's "What About Us," Monica's "So Gone," and Tweet's "Oops (Oh My)." During these years, there was no greater force in popular music.
Oliver Nelson was one of the more distinctive arrangers to be active in jazz, the studios, and popular music of the '60s. While most Nelson reissues focus on his always-excellent saxophone playing (whether on tenor or alto), this six-CD set, Argo, Verve and Impulse Big Band Studio Sessions, focuses on Oliver Nelson the arranger-composer-bandleader. He does take solos on some of these dates on tenor, alto,and soprano (his only recorded solos on that instrument), but it his writing that takes center stage.